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There are more than 200 results, only the first 200 are displayed here.
Identifying the true nature of things, and capturing their horror or charm? Let’s give it a crack. I recognised and recognise still that there are few humans who will ever approach Les Murray's heights of linguistic mastery and vision of life. But one thing I felt I had in common with Les, apart from our shared rustic heritage, was anger.
Moment by moment the numbers are rising, tables of the infected and the dead on websites updated every five minutes, the relentless clicking over of lives, like so many fallen leaves in this country.
I spent the first six or seven years of my life spellbound by my mum’s stories of her childhood in Far North Queensland. Herstory came from warm, outback and subtropical places. She and her sisters wrote on slates at school, played in custard apple trees, kept their own bees.
This year we’ll be celebrating a different kind of Mother’s Day: there won’t be any fancy champaigne brunches with all the restaurants closed. Some of us in this COVID-19 crisis won’t even be able to visit our mothers. And many of us are out of work, too skint to buy flowers.
I can’t be the only one who has, in recent weeks, found myself reaching for my dog-eared copy of Daniel Defoe’s A Journal of the Plague Year, a fictional re-telling of the 1665 great plague of London.
While I stay by my mother, I glean only the edges of the news; already the horror of the fires has been at full stretch. In the quiet room where my mother lies, I think of people trying to sleep in unfamiliar environments, refugees from the fires.
Anchored in the treachery of sand, wearing waves until the snip of a certain comber shreds them landward. They call this weed. There are people here too busy in their pleasure. They stare further out across the stolid hungers of tankers queued to feed national necessity, rapacity.
That’s it. People in mid-life fear death for many reasons, but disappointment must be one of them, for there are always so many things to do, so much in the world to see and to experience, a whole host of people to get to know, various ambitions to be realised, a great number of projects to be finished.
I’d never heard of McKenzie Funk until I came across his marvellous review essay, 'Smoked Out'. I eagerly read on beyond the genial opening paragraphs and almost immediately, I found myself on familiar, if deadly, ground.
There are so many details about these unprecedented bushfires that I have no idea how to process. But nothing — including the ever-present shroud of acrid smoke that has blanketed my city since November — has brought home the scale of this tragedy quite like the estimation that one billion native animals have been killed.
It's as though it's suddenly turned winter, the way the earth is covered over and the grey stretch of ash is drawn up to its chin like a blanket. And though it's day, the bird-less quiet is a kind of night, and everything we ever thought we knew has been turned upside down, the first now last, and the last first.
The voices of two women in the train up to the highlands rise in volume and insistence ... 'Mother, they're not Germans. I said, gerberas, they're all around the farm. Just wait, you'll see them from the window of the lovely room we've set up for your stay. A field of gerberas in full bloom.' 'And are the Germans all in uniforms, then, dear?'
73-84 out of 200 results.