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With all its good intentions and charming participants, Love on the Spectrum is for the neurotypical eye. Just like The Undateables, a similar show from the UK, it takes the inner machinations of disabled lives and creates entertainment for non-disabled viewers. Autistic representation on television is rare, which makes it all the more alienating when these few depictions exist purely for everyone else’s warm-n-fuzzies.
Too often in academic settings Black and Brown children are dismissed when reporting their experiences, and the incidents are often downplayed. They are told that the student who had done or said the racist thing ‘didn’t really mean it’. These students are given the benefit of doubt in ways that Black and Brown children often are not.
The past couple of weeks have seen the racism former Collingwood great Heritier Lumumba endured while at the club hitting the headlines. This is not the first time Lumumba’s allegations have been in the news, but on seeing Collingwood ‘taking a knee‘ in solidarity with the Black Lives Matter movement at their game against Richmond, he saw an opportunity to broach an hypocrisy which had long gone unaddressed.
We must ask: are our police forces keeping us safe? All of us? Poverty, discrimination and disempowerment cannot be solved with more policing. What if we took the money that is currently spent on policing and spent it on supporting the community?
Pride is politically messy. When you stir together an alphabet soup of people, all of which have other intersecting identities (race, class, religion, political allegiance), you will invariably plate up a political mess. And the 2020 Sydney Mardi Gras dished quite the menu.
Catholic reflection on social justice has been supercharged by Pope Francis, who in his encyclical Laudato Si declared the Cry of the Poor and the Cry of the Earth to be central to faith. He also insisted that neither could be addressed simply by technological fixes but required personal conversion to see the world as gift to be respected, a home, and not as a prison or a mine.
Over a decade ago, when applying to study physiotherapy, I carefully read through the application form. It contained a brief but troubling caveat: all students must be physically able to participate in the coursework. I felt nervous, even scared. The answer seemed clear cut to me, but would the university agree?
As the sea withdrew, the waves left curling black lines that crossed one another. The beach became a map in which territories were separated from one another. That image reflected the fires and the ways in which they were perceived. They were more than localised events. They affected relationships that spread far beyond the fire.
There are so many details about these unprecedented bushfires that I have no idea how to process. But nothing — including the ever-present shroud of acrid smoke that has blanketed my city since November — has brought home the scale of this tragedy quite like the estimation that one billion native animals have been killed.
While we can only speculate on what it means for the future of funding beyond the current budget, alarm bells are ringing for many of us who recognise the symbolic power of rendering the arts invisible at a federal level. A strong, vibrant arts sector is essential to a thriving democracy.
A recent report on the lack of culturally and linguistically diverse (CALD) representation in arts leadership recognises the limitations of the label. In an era marked by media bubbles, it is more vital than ever that we use categories such as CALD to build bridges, while not losing sight of our differences and varying levels of disadvantage.
At stake here is who takes responsibility for sector development in the arts as both a cultural and an economic good. Because right now, there is no national organisation or government agency whose role it is to take a responsible, long-term, national view, making sure there are programs in place to address key priorities.
61-72 out of 200 results.