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Real power never changes hands. And yet like a spell, we cast our votes in a ballot box for the same corrupt government.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
I have been going back to street photographs I took before coronavirus struck. Hundreds of images taken in London, Liverpool, Bangor, Abuja, Canterbury, Mararaba, Birmingham, Erith, and many other places. With each photograph comes an inevitable urge to reminisce.
Since I'm the bloke who needs the out-of-doors. With our language made physical in gardens, those marvellous pink barred clouds and angled rays can be nothing more than merely genuine.
Many of us, of course including residents of the towers, understand the exceptional response that COVID-19 has required, and that these lock downs form a part of the response. But when the situation has meant that people must, unless there are exceptional personal or medical grounds, remain house-bound for at least five days, we must be careful in the way we go about caring for the health of people.
I have been with friends and lovers and have seen them in difficult times, emotionally and physically. The same way people have seen me in distress, seen me cry. But I never saw my dad in tears; not as a kid growing up, nor much later as a young adult.
In Friends and Rivals Brenda Niall brings together four significant Australian women writers. Between them they published works from the 1890s to the 1950s. Ethel Turner and Barbara Baynton were from NSW. Nettie Palmer and Henry Handel Richardson were from Victoria, both schooled at Presbyterian Ladies College.
She is sitting on the edge of a mountain in the Annapurna, her face, away from the camera, her gaze, focused on the Lamjung peak, experiencing a moment of peace like many before and many after. The seconds could be hours could be days, the weather could be challenging or kind, she could be alone or surrounded by trekkers. It has taken careful hoarding of time and money to be sitting there framed by sky and snow.
Pope Francis’ 'Querida Amazonia' (Beloved Amazonia) has been warmly received by many members of the Aboriginal and Torres Strait Islander Catholic community. The tone of the exhortation is reflective of the position that underpins our vision for the Church in Australia — a Church that is open to the gifts of First Nations Catholics, honest to the past and embracing of a new way of thinking that utilizes the principle of subsidiarity.
It rose in its tall verticals from the grace and welcome of the earth, / That swooned far, far below, / As canny masons hefted the limestone / Into vast beatitudes of grace; / Shipwrights inverted their minds to groom the oak, / So that it would soar, / As if a celtic monk had charmed a serpent into a holy phrase.
Dickens was a prolific writer, and one of patchy quality: the threat of sentimentality was never far away, so that this brief work is not one of his best. But in this consumer age it is salutary to have his definition of the Christmas spirit, which is one 'of active usefulness, perseverance, cheerful discharge of duty, kindness and forbearance'.
It's difficult to move in this landscape. Haunted and fragile and tragic, there's no place that is benign. A cursed house, the Greeks might say.
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