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Keywords: Erea

  • ARTS AND CULTURE

    Time runs out for idiot slavers

    • Tim Kroenert
    • 07 February 2013
    1 Comment

    Lincoln's quest to end slavery is a centrally moral endeavor requiring political maneuvering and even underhandedness to achieve. Whereas Spielberg's Lincoln hums with quiet patriotic fervour, Django Unchained is pure irreverence and a vicious 'up yours' to the idiocy of white supremacy. 

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  • ARTS AND CULTURE

    Feminist mothers' domestic dilemmas

    • Madeleine Hamilton
    • 13 November 2012
    4 Comments

    When I'm scrabbling around wiping up cereal under the baby's highchair and she's twisting her milky fingers into my hair, what good is it to recall that it is due to the privileging of men's professional work and their superior earning power that it is me, not my husband, who is being subjected to this assault?

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  • ARTS AND CULTURE

    Fourth grade Jesus envy

    • Brian Doyle
    • 29 August 2012
    7 Comments

    I remember Maureen McArdle's neck in front of me in the third row, that smug smarmy neck gloating and preening as she bested me in maths and social studies and science, receiving one gold Jesus after another, whereas I earned a series of silver Jesuses as long as your arm. 'At least it is not a bronze Jesus,' my mum actually said once.

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  • ARTS AND CULTURE

    Bereaved father's cancer dreaming

    • Tim Kroenert
    • 10 November 2011

    There's nothing to say a father who had hoped for a miracle, but instead watched his child wilt and die. His sleep is filled either with dreams where she's alive, or nightmares where he watches her die all over again. I'm not sure which would be worse: to fear going to sleep, or to regret waking up.

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  • ARTS AND CULTURE

    The other me

    • Various
    • 10 May 2011
    1 Comment

    No longer on useless shopping sprees .. No longer overeating .. Knowing the difference between right and wrong .. Singing a happy song .. Bright and cheery .. No longer dull and dreary .. A brand new woman

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  • ARTS AND CULTURE

    Exploiting natural disasters

    • Tim Kroenert
    • 10 February 2011
    2 Comments

    The Tsunami is recreated in spectacular fashion, but robbed of significance, except as a catalyst for one white-skinned European tourist, who survives despite the deaths of hundreds of thousands of brown-skinned Indonesian villagers. This is exploitative in the extreme.

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  • INTERNATIONAL

    Elegy for Cambodia and New Zealand

    • Catherine Marshall
    • 26 November 2010
    4 Comments

    The living are burdened with responsibility for those who have died. New Zealand can take strength from Cambodia, a country to whom tragedy is no stranger, reaching out in communion as each of them comes to terms with the torment of loss and bereavement.

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  • ARTS AND CULTURE

    The wobbly Anglican

    • Eleanor Massey
    • 24 June 2009
    5 Comments

    Neither lapsed nor nominal, but wandering — squizzing through church doors to check the whereabouts of altar, cross and candlesticks, before slipping into the back row. Last up to Communion, first out the door. A True Anglican.

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  • ARTS AND CULTURE

    Daughter of the disappeared

    • Gillian Bouras
    • 10 June 2009
    5 Comments

    Malign influences seeped into the cracks that brain damage had caused, and in his mind flowered into poisonous paranoia. I found myself facing a most complicated bereavement: mourning the living is often worse than mourning the dead.

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  • ARTS AND CULTURE

    Lessons in empathy for racist Australia

    • Tim Kroenert
    • 07 May 2009
    9 Comments

    Samson and Delilah is an ode to Alice Springs and its extremes; an ethereal love story against a backdrop of addiction, violence and displacement. Racism is not an explicit presence, but it is there, a foul breath that muggies the air. 

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  • ARTS AND CULTURE

    A child's suffering for sainthood

    • Tim Kroenert
    • 23 April 2009
    1 Comment

    Within the cloistered world of Opus Dei, a young girl, Camino, is dying. The Church hierarchy and its emphasis upon a Father-God have displaced the nurturing instincts of Camino's mother, who urges her daughter along the path of suffering.

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  • ARTS AND CULTURE

    Affectionate portraits of 'the outsider'

    • Tim Kroenert
    • 02 April 2009
    13 Comments

    Mary is a socially awkward adolescent, growing up in 1970s suburban Melbourne. Her penpal Max is a lonely New Yorker, a chronic overeater with Asperger's. Adam Elliot's films are not just about difference. They are about justice.

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