Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
Erdogan’s announcement in relation to the Hagia Sophia is one that is heavily influenced and panders to his Islamist sentiments and supporters. Hagia Sophia, often touted as the pinnacle of Byzantine church architecture and design, was reverted to a museum in 1935 by the founder of the modern Turkish republic, Kemal Ataturk. Altering its status to a mosque is clearly about propping up Erdogan’s Islamist credentials and base, which have slowly been eroding civil freedoms in the Turkish nation.
There is a trend of liberals calling for the West to open its borders to fleeing Hongkongers for economic benefit. It is commendable that these individuals want the West to offer Hongkongers refuge. But to frame this philanthropy in such mercenary terms makes this goodwill suspect: these voices want to capitalise on a traumatic moment of displacement.
It turns out that the COVID-19 economic crisis is disproportionately affecting women — so much so that some have dubbed it a ‘pink-collar recession’. Unemployment figures show that since February, 457,517 women have lost their jobs compared to 380,737 men.
Another biblical motif or metaphor may prove more fruitful in the long run: the apocalypse. No, not the end of the world, however appropriate this may feel. It’s the apocalypse but not as we know it.
The internet and the online spaces are indeed becoming our lifeline for expression and assembly. This lifeline is under threat and deserves much more protection than it currently has under international law. We now have an immediate opportunity to remedy that.
The Australian Federal Police raid on the 5th of June last year shook the Fourth Estate and, according to managing director David Anderson, ‘was seen for exactly what it was: an attempt to intimidate journalists for doing their jobs.’ It saw an unprecedented closing of ranks between journalists across the political spectrum, pursuing a campaign that came to be known as The Right to Know. Convincing the courts about this principle would prove to be something else.
Catholic reflection on social justice has been supercharged by Pope Francis, who in his encyclical Laudato Si declared the Cry of the Poor and the Cry of the Earth to be central to faith. He also insisted that neither could be addressed simply by technological fixes but required personal conversion to see the world as gift to be respected, a home, and not as a prison or a mine.
While we can only speculate on what it means for the future of funding beyond the current budget, alarm bells are ringing for many of us who recognise the symbolic power of rendering the arts invisible at a federal level. A strong, vibrant arts sector is essential to a thriving democracy.
It is up to business to determine what the market wants. And business is being given a very clear message of market sentiment, through people protesting. For government to attempt to regulate this is a burden on freedom of speech and a significant imposition on the market mechanism, the very thing Morrison says he is trying to protect.
I'm a white man in a white man's world, his mother tongue the lingua franca everywhere. I may not be rich, but I am more or less free, and my calling has let me travel the world. It's easy for me, not having had to fight for mine, to ask us to go deeper than identity when we write. But when James Baldwin says the same thing, it compels.
In an age where destruction of eco-systems is occurring at a fast rate and sanctioned by governments, these absurdities are lethal for collective humanity. Non-Indigenous support for the Embassy and trees reflects a desire to reverse the absurd lie that human culture and nature are not in a continual, intergenerational relationship.
49-60 out of 200 results.