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There are more than 200 results, only the first 200 are displayed here.
Philip Larkin spent 30 years as a librarian, but famously wrote a rebellious poem in which he asks plaintively: 'Why should I let/the toad work/Squat on my life?' Technology is not the only force that shapes our destinies, an idea I need to remind myself of whenever I start worrying about the future of my children and grandchildren.
Australian writer Beverley Farmer died on 16 April. She and I had been friends, albeit usually long-distance ones, for more than 30 years. It seems to me now that we had so much in common that friendship was almost inevitable: it was just a matter of timing that first meeting.
The idea of cheating at sport, of setting such a bad example to the young, was quite simply unthinkable then, but now this cricketing episode, I fear, is a disgrace from which Australian sport may never recover. Something ethical, almost spiritual, has gone, and I am left with an acute sense of loss.
Yiayia Aphrodite always practised frugality. She cut old dresses into strips and wove cotton rugs out of them, and used matches twice if she could. When plastic bags came into supermarkets, she immediately made use of them: I think every house in the neighbourhood received presents of circular blue and orange bathmats and doormats.
The human brain has always needed silence, and there have always been people who needed solitude, at least for certain periods. In 1948 war hero and adventurer Patrick Leigh Fermor retreated to a French monastery simply in order to write. But the experience of silence was an unexpected bonus.
'The Three Wise Men' was published in the Herald newspaper in 1943. It is set in the jungle of New Guinea, and is about three Australian soldiers called Jack, Bill, and Fred. It is Christmas Eve, and Jack, Bill and Fred are lost 'in the middle of New Guinea in jungle as thick as the hairs on a dog.'
Nana's favourites were chain-rhymed stories such as 'The Old Woman and her Pig', and 'This is the House that Jack Built', both of which I try to communicate to my grandchildren. My sister and I never realised how we were acquiring tastes for story and rhythm, or that we were exercising our young memories, our capacities for recall, as well.
American-British writer Amanda Foreman is campaigning to return authors such as Austen, Dickens and Eliot to curricula in famous schools. But teachers have told her that a generation reared on smartphones and iPads finds such authors too ‘difficult'. So what? is my inward cry.
Conscientious friends have recently sent me bundles of the letters I wrote them decades before. I found myself strangely reluctant to look at them, or even loose the letters from their envelopes. The longer I procrastinated, the more I asked myself why I was doing so, and concluded that memory is another form of haunting: those letters are home to ghosts.
The old grey mare she ain't what she used to be: so the song says. Well, I'm definitely grey, but thought I was trotting along satisfactorily on the sands of time until about a month ago, when I was calmly crossing a Kalamata street. I remember stepping on to the pavement, and then nothing more until a passerby was helping me up and dabbing rather ineffectually at my face and shirtfront. There was blood everywhere.
Was Harry Potter’s 20th birthday to blame? Or the 200th anniversary of Jane Austen’s death? Or merely the ageing process? It’s hard to decide, but in a life quite possibly ruined by literature, I have started remembering some of the books I read in childhood.
When I was a small child, Presbyterians ministers, including my great-uncle Jack, seemed to be everywhere. They march through memory: soberly suited, dog-collared, determinedly cheerful and often dull, although Old Jack preached a fiery sermon, and could well have taken to the stage instead of the pulpit. They were eventually replaced in my life by a procession of Greek Orthodox priests. They would extend their hands to be kissed in a gesture my nonconformist soul found quite shocking.
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