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The trial and execution of Soraya M are portrayed in agonising, visceral detail. The stoning of 'adulterous' women under the auspices of Shariah law is shown to be less about violence inherent to Islam than the egos of brutal and bullying men.
A barroom brawl is transformed in Boy's head into a version of Michael Jackson's 'Beat It' music video. It's 1984 and Jackson is at his artistic and popular peak: pre-surgery, pre-child abuse allegations. Boy's worship is pure, but as an audience watching in 2010 we know the purity is transient.
Ben Cousins is no angel, but neither is he a demon; just a man with a problem that he's fought to contain. His story has mirrors in the lives of many people who have battled addiction. Seven's treatment of it borders on exploitative.
'Anyone watching this saying it in some way supports or encourages violence is watching the film in a very perverse way.' UK filmmaker Michael Winterbottom has a point, but one must wonder what scenes of brutal violence against women contribute to the betterment of the public imagination.
Aaron initially rationalises his sexuality as a test from God, a test that priveleges him, as it gives him an opportunity to prove his resilience. Ultimately his affair with a younger man is rather more serious than simply a rebellion against an oppressive ultra-orthodox society.
Mother Fish recreates the journey by sea of a group of Vietnamese refugees. During an election campaign where both major parties are trying to win votes with prejudicial rhetoric about 'border protection', a bit of truth and humanity is just what's needed.
When it comes to asylum seekers, both Labor and Liberal leaders spruik policy that taps into negative community feelings toward 'the other'. Fr Francis D'Sa offers an alternative vision embracing multiculturalism and religious pluralism.
As Meredith approaches, two boys appear on the cliff and call for the boat to turn back. This allegory for the asylum seeker experience is not entirely out of place: Meredith seeks asylum from personal horrors that lie in her wake. But the curdled milk of human unkindness flows readily.
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