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Keywords: Mad Max

  • AUSTRALIA

    Protesting in South Australia: Then and now

    • Michele Madigan
    • 29 June 2023
    2 Comments

    Following a rally by climate action group Extinction Rebellion, anti-protest laws were rushed through the SA lower house, increasing the maximum fines for disruptive protests along with potential jail time. Sadly, SA is not an outlier here, but is rather in step with the rest of the country with similar ‘draconian’ laws regulating protests.

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  • ARTS AND CULTURE

    On the side of darkness, infinity

    • N. N. Trakakis
    • 18 September 2017
    1 Comment

    We do not know what we want. And we do not want what we know. Like shadows hanging in the air, their threads of reality unravelling, absenting themselves from the world. She said time erases life. He said let's be timeless. She said it would be dark. He said he hated daylight. She said it would be lonely. He said he prostituted his mind talking to people. She said he is mad. He said may God preserve him from sanity. She said: God will. And God did.

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  • MEDIA

    Why having a female Dr Who matters

    • Neve Mahoney
    • 27 July 2017
    12 Comments

    It was recently announced that the thirteenth iteration of the main character in Doctor Who will be played by Jodie Whittaker. A woman. In 2017, the casting of a white woman in a major TV role is hardly revolutionary, except that the role is the Doctor, a regenerative alien who can take on the appearance of anyone, but has for 12 iterations tended towards the persona of a quirky British white man.

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  • ARTS AND CULTURE

    Losing and finding Dad in dementia

    • Julie Guirgis
    • 16 June 2016
    13 Comments

    Today I walked past the bathroom and noticed a pale yellow puddle with an odour worse than an unflushed toilet. I cringed at the stench, with the realisation that I had to wash urine off the floor ... Dad's illness sometimes causes ambiguous loss. It is unclear, has no resolution or closure. He is like someone I don't know anymore; he is gone-but-still-there. This leads to complicated grief. I can't look at him without seeing a fading picture of who he used to be, and speak of him in the past tense.

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  • ENVIRONMENT

    Laughing in the face of climate change despair

    • Fatima Measham
    • 30 May 2016
    12 Comments

    People understand that some of the solutions for the problems faced by current and coming generations are likely rooted in decisions made now. Future-proofing is not merely anticipation, but intervention on a scale that goes beyond households. It involves design and culture. It demands an international rather than insular outlook. Perhaps this is why gallows humour has seeped into my conversations about the future. I no longer expect our leaders to do something worthwhile about it.

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  • ARTS AND CULTURE

    Racist Oscars need to lift their game

    • Tim Kroenert
    • 21 January 2016
    2 Comments

    It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.

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  • MEDIA

    2015 in review: Australia's film industry boys club

    • Rochelle Siemienowicz
    • 13 January 2016

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • MEDIA

    Australian film industry boys club needs redressing

    • Rochelle Siemienowicz
    • 23 November 2015
    10 Comments

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • AUSTRALIA

    Abbott and Santamaria's undemocratic Catholicism

    • Paul Collins
    • 17 August 2010
    26 Comments

    Tony Abbott is wrong to suggest that B. A. Santamaria made Australian Catholicism 'more intellectual'. Santamaria embraced a form of doctrinaire conformism that is the death of thoughtful commitment. It would be worrying if this kind of integralist Catholicism infected contemporary public life.

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  • EUREKA STREET TV

    New ethics of new media

    • Peter Kirkwood
    • 02 July 2009

    The video featured on this page is a substandard, pirated copy of an artist's work, posted on YouTube. For most of us, it's the only means of seeing some of the most celebrated work of one of Australia's leading emerging artists.

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  • ARTS AND CULTURE

    Crabs, cars and Peter Carey

    • Tim Kroenert
    • 11 December 2008
    1 Comment

    Of the notorious Australian low-budget genre films of the 1970s and 1980s, few would feature 'social commentary' as a selling point. But then, few have the distinction of being based on a Peter Carey short story.

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  • ARTS AND CULTURE

    Good Aussie films a thing of the past

    • Ruby Hamad
    • 04 December 2008
    4 Comments

    'New Wave' Australian  films of the '70s and '80s, such as Picnic at Hanging Rock and Breaker Morant, wooed audiences and critics. This weekend, four films that few Australians have seen will vie for top honours at the 2008 Australian Film Institute Awards.

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