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Someone now cast in forgetfulness, out cold – dumped down in a sleeping bag moulded like a burial mound. And by their side neatly aligned, threads of an abandoned bedside.
You'd never know it, but just above Darwin and sort of to the left, there are 17,000 islands with roughly 240 million people living on them. There's more to this 'Indonesia' place than Bali, Balibo, Bintangs, and bombings. We forget Indonesia at our peril.
The Tsunami is recreated in spectacular fashion, but robbed of significance, except as a catalyst for one white-skinned European tourist, who survives despite the deaths of hundreds of thousands of brown-skinned Indonesian villagers. This is exploitative in the extreme.
Mary MacKillop's face is on the Sydney Habour Bridge, at least temporarily. Is she becoming one of the clichés for Australia, alongside bushmen and Hills Hoist mums in our catalogue of national identity?
This theatre of cruelty reflects the preoccupations of a protagonist unrestrained by physical revulsion, and evokes a nightmare world defined by sex and violence, where there is not much difference between the two.
It is 30 years this week since Catholic radical Dorothy Day died. She was a quirky woman who lived on the margins of Church and United States society. Her life was lived in harsh conditions, but the way she put its elements together was sweet and attractive.
Soon enough there was a group of children in the yard and a soccer game was about to begin. First we had to decide the teams. I asked one small boy, whose family was from Sri Lanka, which country he wanted his team to be. 'Australia,' he yelled back.
Liberal Senator Cory Bernardi dismissed Islamic banking as 'incompatible with Australia's Western values'. But Western values that uphold a banking system that treats its customers with disdain – as the Commonwealth Bank did last week – need to be questioned.
In the 1970s Latin American theologians began to explore the connections of faith to a public world marked by great injustice. Some of them initially criticised such popular expressions of faith such as devotions, fiestas and processions. The miracles dimension of the coverage of Mary MacKillop's recent canonisation uncovered a similar tension.
The Troubled Artist — for whom self-destruction is a necessary by-product of creation — is a cliché whose ubiquity risks robbing it of tragedy. Gainsbourg is portrayed as a swaggering louche, drinking and chain-smoking his way amid a murky and surreal Parisian backdrop.
Cardinal Pell, with whom I have voiced disagreement, preached superbly at the mass of thanksgiving after the canonisation of Mary MacKillop. 'She does not deter us from struggling to follow her.' As we wrestle with the common good, let's make a place for all our fellow citizens.
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