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Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
The response to COVID has invited reflection about the relative value of one human death (and so of one human life) as compared with another. This is a radical question because it makes us ask whether the value of a human life is defined by economic wellbeing and by potential contribution to the economy, or by deeper qualities.
Here in Greece, people seem to be smoking less and walking more. Gone are the days when long walks were measured in the time it took to smoke x number of cigarettes, the cigarettes being considered compensation for the walking, for the latter was equated with work and certainly not with pleasure. But the practice of walking can, of course, accomplish great things.
My mother informs me, over the telephone, that she has just returned from a trial run of her inaugural ‘live-cam’ tour at the local Hindu temple in Kuala Lumpur. My niece, who lives in England, is learning about Hinduism in her Religious Education class and would love to show her classmates a live, on-site presentation of her grandmother’s temple.
Whereas the Vatican II document sought to engage with, and to respect, the autonomy of the modern world and its science, only too many of the Vatican’s official statements over the past fifty years have effectively resiled from that commitment.
I stare out the bus window, my eyes chasing raindrops down the glass. They jiggle in unison as we jolt over speed bumps. I imagine they’re dancing along with the songs belting through my tangled earphones. A Carla Geneve lyric catches my attention: It's raining on Tuesday, got my Doc Martens wet. I glance down and smile at my soggy docs.
The coronavirus pandemic has been utilised by Latin American governments — prominent examples being Brazil and Chile — to militarise societies, criminalise resistance and normalise violence.
I have been thinking for several months about fathering and wisdom. To my surprise, I found some of Marcus Aurelius’ truisms to be reflected, if erratically, by the pronouncements of my own pater familias, Kenneth Hugh Gittins.
When I read Jess Hill’s piece in The Monthly which calls the coronavirus lockdown a ‘gendered pandemic’, I felt heard. I wanted everyone to read this article, to understand that feminist wins were being erased in the name of a national emergency, and that women were stepping up to the now larger domestic workload with a career cost further down the line.
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
The Stage Four lockdown announced by Daniel Andrews on Sunday shows how precarious it is for working mothers. When the going gets tough; our jobs outside the home are expendable.
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