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Keywords: Movies

  • MEDIA

    Where are the Asians on Australian screens?

    • Tseen Khoo
    • 06 February 2018
    2 Comments

    Does watching this ridiculously premised film full of obnoxious characters, complete with smatterings of Singlish, make me feel culturally represented? Yes. There are threads of cultural recognition in the Southeast Asian locations and the Chinese customs that resonate, as well as the cultural mobility of various characters.

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  • ARTS AND CULTURE

    Material girls in an addiction fuelled world

    • Isabella Fels
    • 12 December 2017
    6 Comments

    My astute mother was the first to suspect Maggie of taking and selling my clothes to fund her addiction. After that, my friendship with Maggie fell apart. I began to hate her and wanted nothing to do with her. This year, that all suddenly changed.

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  • MEDIA

    Hollywood's Weinstein complicity

    • Binoy Kampmark
    • 19 October 2017
    4 Comments

    Hollywood houses and produces its own hypocrisies. Issues are literally reduced to screen-like dimensions. Complexity vanishes. But more to the point, abuses behind the screen become apologias, the justifiable vicissitudes of having a dream industry. It entails a pact between the dream maker and participants, where all are soiled.

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  • AUSTRALIA

    Is there an Asian Australian culture?

    • Tseen Khoo
    • 11 July 2017
    7 Comments

    The short answer is 'no'. There is no single Asian Australian culture, just as there is no single 'Australian culture'. As well as an unfortunate tendency to flatten differences, trying to talk about particular groups can serve a broader political and cultural project. I run a research network focused on Asian Australian Studies. The topics we cover strive to give depth and detail to otherwise stereotyped, shallow representations of Asians and Asian Australians that surround us.

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  • MEDIA

    Wherefore art thou women on film?

    • Francine Crimmins
    • 03 April 2017
    4 Comments

    I can think of many films I saw in childhood which still resonate because of their morals and characters. The dark and dangerous fire swamp of The Princess Bride, where Westley must wrestle with rabid beasts to save the damsel in distress, taught me about bravery. The Harry Potter series shows a boy who has suffered a great loss but finds community and purpose during his time at Hogwarts. There's something all these movies have in common: they were all about men.

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  • ARTS AND CULTURE

    Ten movies that really got to us this year

    • Tim Kroenert
    • 14 December 2016
    3 Comments

    Amid the noise of Batman battling Superman, the Avengers turning against each other, and middle aged fanboys whingeing about the Ghostbusters franchise being revitalised with an all-female lead cast, 2016 has actually been a pretty solid year for movies, both in and outside of Hollywood. We haven't had time to see them all (we have a magazine to publish, after all) but nonetheless here is a list of our ten favourite films reviewed in Eureka Street this year.

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  • MEDIA

    Queering the airwaves for TV diversity

    • Adolfo Aranjuez
    • 29 November 2016
    17 Comments

    A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.

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  • ARTS AND CULTURE

    Antiheroes of the Bush-Cheney arms boom

    • Tim Kroenert
    • 25 August 2016

    War Dogs is the latest in a string of films from the past few years that are custom made for our cynical times; deeply ironic black comedies and dramas featuring antiheroes who profit to the point of excess off the misery of others. Where those films dealt with the finance industry and gained relevance from the backdrop of the Global Financial Crisis, this one shifts focus to the grimier world of arms dealing, in the context of Bush era conflict in Iraq and Afghanistan.

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  • MEDIA

    #HollywoodSoMale

    • Catherine Marshall
    • 03 March 2016
    7 Comments

    Chris Rock's hosting of the Academy Awards was a win-win culmination of the #OscarsSoWhite campaign in which no actual person had to take the blame. Instead, a faceless institution named 'Hollywood' was rapped over the knuckles for its racism while the flesh-and-blood white faces that represented it could get on with the business of congratulating themselves. While all this mollification was going on, there was another, gargantuan prejudice saturating the air these celebrities were breathing.

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  • RELIGION

    The problem with heroes

    • Andrew Hamilton
    • 16 February 2016
    5 Comments

    Periods of anxiety are times for dreaming of heroes. We contemplate our own pedestrian lives and pedestrian politicians, and long for someone who can lead us out of the wilderness into the promised land. Yet although heroes invite us to dismount from our couches, breathe the open air and take on the world as they do, they also persuade us that they are a different breed, urging us to keep within our divinely given limitations and leave the business of change to those sown as lions' teeth.

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  • MEDIA

    2015 in review: Images that empower women

    • Catherine Marshall
    • 15 January 2016
    1 Comment

    Studies confirm that sexualised images of slim young women used in advertising and popular culture lead to body dissatisfaction, psychological impairment and eating disorders. A new initiative from the non-profit LeanIn.org is fighting this entrenched culture through a partnership with Getty Images. It has created a photo library depicting females in many sizes, cultures and styles of appearance, but all strong and determined and in-charge.

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  • MEDIA

    2015 in review: Australia's film industry boys club

    • Rochelle Siemienowicz
    • 13 January 2016

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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