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Recently I went with a group of friends to see the musical Dusty. Afterwards, walking with one of my friends, I spoke about how special it had turned out for me seeing this musical on the day after my 54th wedding anniversary. Dusty Springfield's songs were ones my husband and I would have known well at the time. Just as I was reflecting on how some events have more significance than what appears on the surface, a young man on my right turned to me and handed me a large red flower.
Counting angels dancing on a pinhead? How about, making count the stranger who stands right in front of me ... Love lies hidden. Quick! Look under the moss, hear the stone sing ... Mother Earth is groaning ... Dislocation. Disconnection. Displacement. Only you, only you, only you can take us home.
'Pull the levers, scoop the coffee, flatten it, steam fragrant liquid into white cups. My lever-pulling right arm has huge muscles from my coffee ballet. Around me: the buzz of conversations about people's plans for their day. No one knows I am lonely.' Short story by former Eureka Street editorial assistant Mary Manning, who died on Tuesday 8 November 2016.
Initial silence from Dylan after the announcement of his Nobel Prize led one of the Scandinavian officials to complain he was being 'impolite and arrogant'. This prompted even more vitriolic opinion online on all sides, from fans, litterateurs, Dylanologists, and other armchair grenadiers. Just as things were getting completely tangled up in blue Dylan himself broke the silence to explain that news of the award had left him speechless. We shouldn't be surprised. Speechless is a normal state for a poet.
This is what I saw at a funeral, on a bright brilliant crystal spring day which the late lamented would most surely have called a great day for golf: His grandson, age smallish, dandling the deceased's favourite club on the lawn outside the church, as all the mourners stood around chatting. The boy whirled it like a baton, and balanced it on a finger, and finally leaned insouciantly on the club, exactly as his grandfather had so very many times before. It seemed very much to be a prayer, somehow.
Promos suggest you can choose your identity. Join a tour to Kurdistan and you can become an adventurer. Buy an Aussie flag, sing loudly about boundless plains, and you can become a dinky di Aussie. Identity, however, is more subtle. It is formed by relationships, to the human race, to body, to place of birth, to language, to the significant adults of childhood, to possessions, to education and work, to hobbies, religions and political parties and to all the people met through these relationships.
When I was a kid, I certainly knew, that a cassowary in Tinbuctoo, was able to eat a missionary, cassock, bands and hymn-book, too. Because it rhymed, it had to be true. But what on earth were those bands doing? Nothing musical, I'll be bound, And a cassock, what sort of jigger was that?
In political commentary liberal politics and identity politics are often presented as polar opposites. For supporters of liberal politics the relationship between the two is one between virtue and vice, rationality and emotion, the wise against the mob. I believe that the relationship is more complex, that identity politics shares the same stunted assumptions about personal and national identity as liberal politics, sees the self-interest of the latter, and wants to despoil it.
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