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The first feature film about Australia's most notorious convict shares a potent symbiosis with Dante's Inferno. Director Jonathan auf der Heide believes there is a repressed need for violence beneath the 'veil' of human civilisation.
'Cinema,' says director Robert Connolly, 'can take the audience and show them a tragedy in a way that creates empathy. I was interested in exploring the ability of this country to compel people to tell its story. It's hard not to start caring for what happened there.'
The first feature length film about Indonesia's invasion of East Timor and the deaths of six Australian journalists fails to inform the audience of the diplomatic dirty tricks, and Australian and American complicity.
Put-downs of post-colonial India are often seen as a continuation of the colonial mentality. The Indian media's portrayal of Australia as racist following the attacks on Indian students does more harm than good.
Mary is a socially awkward adolescent, growing up in 1970s suburban Melbourne. Her penpal Max is a lonely New Yorker, a chronic overeater with Asperger's. Adam Elliot's films are not just about difference. They are about justice.
Ronald Conway (1927–2009) was of a rare breed in Australia. He stood against the prevailing climate of thought which ignores important questions of faith, spirituality and human experience, and focuses on the conventional and politically correct.
When East Timor was struggling to get a fair deal in negotiations over Timor Sea oil, Kenneally rallied his mates to fight. Appearing on national television, he told Prime Minister Howard: 'I'd rather you did not come to my ANZAC Day parade.'
We received an email from an acquaintance of Harry Nicolaides, a journalist and Eureka Street contributor. Harry had been arrested in Bangkok: 'Publish his story. He is in a bad condition. Please help.' We acted immediately.
Having grown up an orphan in a Mumbai slum, Jamal is an unlikely candidate for Who Wants To Be A Millionaire. A sense of the divine pervades the film, but while Jamal seems destined for good fortune, his brother Salim diverges towards corruption.
'New Wave' Australian films of the '70s and '80s, such as Picnic at Hanging Rock and Breaker Morant, wooed audiences and critics. This weekend, four films that few Australians have seen will vie for top honours at the 2008 Australian Film Institute Awards.
There can be no peace unless believers and atheists share an equal place in the public square of a free and democratic society.
Symbolic gestures, whether at personal or at national level, are effective, even though they will have a barely measurable effect on water supply or global warming. Our world becomes different, and our sense of what has priority in it also changes.
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