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Aaron initially rationalises his sexuality as a test from God, a test that priveleges him, as it gives him an opportunity to prove his resilience. Ultimately his affair with a younger man is rather more serious than simply a rebellion against an oppressive ultra-orthodox society.
Mother Fish recreates the journey by sea of a group of Vietnamese refugees. During an election campaign where both major parties are trying to win votes with prejudicial rhetoric about 'border protection', a bit of truth and humanity is just what's needed.
Sydney filmmaker Claire McCarthy spent two months working among Mother Teresa's Missionaries of Charity in Calcutta. Like many Westerners with egalitarian pretensions, the characters in her film The Waiting City arrive in India bearing a tourist's naivety.
Adoption is shown to be a tumultuous process, as joyful and painful in its own way as pregnancy and birth. Lucy is unable to conceive, but suspects that the motherly bond is about much more than biology. Her husband Joseph, by contrast, values biology greatly.
Nicky is curled up asleep on the couch. She is an innocent, and we feel affection for her. But as the camera pans around, we realise we have been sharing Andrew's leering perspective. The scene foreshadows Animal Kingdom's most appalling atrocity.
In comics, the X-Men's 'mutant' powers make them the target of bigotry. They function as a metaphor for homosexuals and other persecuted minorities. In Micmacs, Bazil, ostracised from his 'normal' life by a bizarre crisis, also finds himself on the margins of society.
Dave Hughes' presence in the line-up is likely justified more by ratings potential than by any insights he might offer. The good will inherent to The 7pm Project's presentation makes it a positive alternative to other more lecherous, leach-like current affairs programs.
Back in March, I strolled the streets of Fitzroy in Melbourne's inner north with Warwick Thornton, trying to find a quiet spot for an interview. Two months prior to the release of his feature debut, Samson and Delilah, Thornton was quietly hopeful his film would be positively received.
Max has an erratic imagination, and is prone to extremes of emotion. There are hints of mental illness, but, really, he is simply Every Child. Following a ferocious fight with his mother, he flees into fantasy and becomes king to a group of melancholic monsters.
Roo makes a quick buck starring in a porn film. Trisha and Katrina are arrested for shoplifting. Orton and Stacey are runaways from an untenable home life. Blessed finds hope in the cracks between mothers and their teenage children.
I only met Bud Tingwell once. Like so many others, I went away the better for the brief encounter. But the meeting also led me to ask questions about what matters, and how we should nurture it in Australian society.
In 1932, Todd Browning's Freaks sought to unsettle with the 'otherness' of its circus sideshow performer characters. A modern-day festival of films by and about people with disability emhasises not otherness, but humanity.
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