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In recovering from catastrophic events, we need to look beyond the simple defining of problems, finding solutions that match them and naming agencies responsible to fix them. We need to be curious about the persons involved, their interlocking relationships which have contributed to the trauma and the possibilities for healing within those relationships.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
Even during this period of disruption (and, indeed, even because of it) it is so important that we pay attention to the bigger picture. So much of what we do now will lay the groundwork for the kind of future that we are able to build at end of this crisis.
Unfortunately, when it comes to limiting our emissions there’s no silver bullet, and there’s unlikely to be one before we hit an increase of 1.5 degrees. However, scientists do say that we already have all the technology we need to get to net-zero. What we don’t have is the political willpower.
Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
Shortly after Christmas Day, the sky disappeared. It was only then that I realised I’d always taken it for granted. The sky, and the air. I’d always taken the air for granted too, and now it was hazardous.
A shift is afoot in the west's financial markets that represents the most important economic change since the emergence of the new financial instruments in the 1990s that ultimately led to the global financial crisis. It is likely to result in a new way of thinking about money, which will change the substructure of developed economies.
Dance and music are as innate as breathing. Babies dance while in the womb, and the Yuletide can be prime time for 'playing music, singing and dancing [as a] healthy outlet for their emotions'. As William Stafford observed, kids dance 'before they learn there is anything that isn't music'.
If the dark days of 1940 provided an opportunity for a chancer and publicity hound like Winston Churchill to emerge as an inspirational leader and reputed giant of the 20th century, why hasn't the catastrophic breakdown of the natural world done something similar for the likes of Boris Johnson, Donald Trump and Scott Morrison?
At the next global financial crisis, when questions about what we want our monetary system to do for us become a matter of survival, why not devise a transactional system that is not just geared towards the consumption of goods and services, but involves monetary exchanges for social goods, such as sustainable production, or civic benefit?
The scene I have described was more than purely peaceful. In these iron days, to write about or seriously discuss the world of nature and its phases and complexions can be a political act, 74 years after Orwell wondered about that very same point in 'Some Thoughts on the Common Toad'.
Hi Leunig. I saw that cartoon you made about me. You know the one. There’s a mum looking at her phone and she doesn’t realise her baby's fallen on the ground and it comes with this twee poem about how the baby wishes his mother loved him more. This is awkward. I remember that day well.
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