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'In the Beginning Was the Word' opens with Angelina D'Costa, 'five years to the day after she stopped being a Catholic', entering a church, determined to confront a popular priest who is known to have covered up for another priest who abused children; only to be moved to submission by the familiar beauty of the Mass.
Using memoir as a kind of litmus, Atkinson challenges the myth that traumatic events are socially 'out of character' and asks us to look at how by its very nature, patriarchy demands the abuse of its most vulnerable citizens.
No LGBT+ person can be certain how someone else is going to react. When I came out, I felt like I was risking my relationships. Whenever someone who didn't know about my sexuality told me they loved or cared for me, I mentally added a 'but': 'But that might not be true after I tell you.'
As I watched the debacle over the ill-advised Meanjin cover last week, I couldn't help but reflect on Aboriginal languages and how, when our words or histories do come to the forefront, they're continually disrespected or treated as a massive threat to the white patriarchal status quo. Meanjin is only the latest example.
A thread of male entitlement binds the American literary world to a shepherd's world in India's Kashmir valley. Days ago, the American author Junot Diaz left the Sydney Writers Festival amid allegations of sexual abuse. In India there is another, more sinister and tragic manifestation, woven with the use of rape as a weapon of war.
The Bechdel test, which deems there must be two named female characters who talk to each other about something other than men, has become shorthand for gauging gender imbalance in films. But it isn't always a good test. If you take the rules literally, Suicide Squad, which is aggressively misogynistic, passes on a technicality.
Last year Brooklyn Museum exhibited radical 20th century works by American women of colour alongside The Dinner Party, a 1970s Second Wave feminist piece noted for its white, middle-class preoccupations. The resonance of this pairing illuminates the plight of Christian, hero of the Swedish art-world farce The Square.
Catholic social service agencies are facing many challenges from a number of the disruptions at play in our postmodern society. These have to be addressed if the agencies are to continue their work with those on the margins, and their indispensable contribution to the mission of the Church.
The reaction of Judge Aquilina might well be understood as the most natural reaction to scale and proportion. But precisely because she maintains to be an agent of the law, torpedoing Nassar's case at the sentencing phase has compromised her very own statement of defence in favour of his victims.
This royal commission has changed the public response of religious institutions, not their culture. Nor has it altered the culture at the political pointy ends of state, territory or national government. The cause of the misuse of power over children was our refusal to take a child's world view as seriously as our own adult priorities.
The results of recent surveys concerning sexual assault and harassment in the Australian arts are appalling. Post-Weinstein, this feels like a reckoning of the creative industries. Despite the increased awareness, many are asking how we can possibly change the entrenched culture of harassment and discrimination.
I suspect the royal commission will recommend the seal of confession should no longer remain absolute. I also know that all priests of my acquaintance will rather go to jail than violate the seal. I cannot then see that such a move will be anything but unproductive. Perpetrators will be less likely to go to confession and priests will go to jail.
73-84 out of 200 results.