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The situation of Christians in Bethlehem is difficult, and many are leaving. It is hard to shed tears for Jewish victims of the Holocaust while living under Israeli military occupation, and it is equally difficult being part of a Christian minority in a predominately Middle Eastern Muslim society.
When prospective plumbing or hospitality students are quizzed about why they want to do a course, there are easy answers about improving job skills. Not so for aspiring creative writing students.
Peter Steele reviews Terry Eagleton’s Sweet Violence: the Idea of the Tragic.
Alex McDermott examines Brett Hutchins’ Don Bradman: Challenging the Myth.
Theatre critic Geoffrey Milne took time off this summer to write two books on Australian theatre. What has drawn him into theatres more than 100 times a year over the past three decades—as a journalist and as a theatre historian? His excuse is that his university teaching demands close acquaintance with actual performances. But that’s not the whole story.
Or is it? Gillian Bouras gardens in Greece.
The Regency spinster’s novels have never been more popular
Peter Craven on John Bell’s Hamlet.
John Sendy revisits Joseph Furphy’s Such is Life
Poem by Grant Fraser
Chris Wallace-Crabbe on After Shakespeare: An Anthology and The Oxford Book of Aphorisms, both edited by John Gross.
Peter Pierce gets on the bus.
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