Keywords: Taste
There are more than 200 results, only the first 200 are displayed here.
-
ARTS AND CULTURE
- Jena Woodhouse
- 26 September 2016
5 Comments
Across the black hole of my solitude, the self-indulgent pit where I lick self-inflicted wounds, lightly step returning refugees. They know why they trek through forest, crossing rivers, day by day, on bruised and lacerated feet, in rain, on clay, on sharp-edged stones. For them there is no other way, and they are going home ... They have no doubt where they belong, the dying and the newly-born, no time to squander on regrets: they are going home ...
READ MORE 
-
ARTS AND CULTURE
As is the time-honoured tradition of Hollywood PIs, Holland has long bound the wounds of some unresolved grief in alcohol and cynicism. Notwithstanding individual tastes that are by no means aligned with gender, this is the kind of movie that can tend to appeal to puerile male interests while diminishing respect for women. In this regard Shane Black, a mainstream filmmaker who is more self-aware than most, tries to have his cake and eat it too, by both drawing and subverting the objectifying male gaze.
READ MORE
-
ARTS AND CULTURE
- Barry Gittins
- 20 April 2016
1 Comment
When you make a meal of body politic you've got to crack the whole thing open, season to taste with bestrewn flakes of policy offal and prejudged bakes ... serve offshore detention? Just add water, salt to taste and erase border. Grind those grubby unions, peel any sign of party donations and extractions from sorbeted cosseted carapaces. Stop the gloats, straighten up and get flyers Right ... Serve pre-heated post May's entree of budget salad.
READ MORE
-
ARTS AND CULTURE
- Peter Gebhardt
- 01 March 2016
1 Comment
Rounds and counts, jabs and feints. Glass jaws and upper-cuts, southpaws and the rest. It was a new word-world. Yet more colonial drill, and blood should spill. Meanwhile there was order by the key, water was washing, banter and barter in brief bargain. Then a jab to the jaw, fishbone cry, a hand cracks, skinless words.
READ MORE
-
RELIGION
- Andrew Hamilton
- 16 February 2016
5 Comments
Periods of anxiety are times for dreaming of heroes. We contemplate our own pedestrian lives and pedestrian politicians, and long for someone who can lead us out of the wilderness into the promised land. Yet although heroes invite us to dismount from our couches, breathe the open air and take on the world as they do, they also persuade us that they are a different breed, urging us to keep within our divinely given limitations and leave the business of change to those sown as lions' teeth.
READ MORE
-
AUSTRALIA
- Andrew Hamilton
- 17 December 2015
19 Comments
The pastel coloured domesticity of the images of Jesus' birth does not do justice to its context. Herod's sending out first his spies to find where the Messiah was to be born, and then his soldiers to eradicate the threat the child posed to national security, may not appear on Christmas cards, but they frame the story of Jesus' birth. The disjunction between the tenderness of the Christmas stories and the brutality of their public context is mirrored in the conflict between the humane values of the Gospel and the harsh instrumental values of the public world in any age.
READ MORE
-
ARTS AND CULTURE
- Tim Kroenert
- 02 July 2015
2 Comments
There are early signs of the substance abuse that would later see her become a target of gleeful media scorn, and ultimately cause her death at the age of 27. But during one interview from the dawn of her career she reflects that if she was famous, she would go mad. She was painfully aware of the gap between the persona painted by a spiteful media and fickle public, and the preternaturally talented working-class girl from London who just wanted to sing.
READ MORE
-
ARTS AND CULTURE
- Gillian Bouras
- 23 June 2015
6 Comments
My youngest son, who lives in central Athens, is on the phone. ‘What do you think I should do with my money?’ he asks. The New York Times likens Europe and Greece to two prize-fighters, but I suspect that this is a male take on the matter. The women on the scene, Chancellor Angela Merkel and IMF chief Christine Lagarde, are more or less playing the part of the firm mother to naughty, quarrelling boys.
READ MORE
-
ARTS AND CULTURE
- Gillian Bouras
- 08 April 2015
7 Comments
Here in Greece, a 20 year old youth was subjected to concentrated and constant bullying, and eventually he could bear no more. Who knows, really, what triggers bullying? Except that bullies, who are always cowards, invariably select as victims people who seem weaker and thus vulnerable to pressure, both physical and psychological. Vangelis seems to have been the sort who could not or would not fight back.
READ MORE
-
AUSTRALIA
- Andrew Hamilton
- 19 March 2015
18 Comments
It is becoming common to describe people who offer political, economic and cultural comment in the mainstream media as Grumpy Old Men. It is a nice insult that warms the hearts of those of us whose commentary is confined to the fringe media. 'But, wait a moment', my inner self interrupts, 'Are you really so very different?' To blot out the sound of silent scepticism, I rush on, 'There is Grumpy and grumpy. There is surely a difference ...'.
READ MORE
-
AUSTRALIA
- John Warhurst
- 30 January 2015
5 Comments
Tony Abbott's preoccupation with knights and dames, together with his unilateral award of a knighthood to the Duke of Edinburgh, is evidence of his attraction to the past more than the future. Likewise his December Cabinet reshuffle was not a serious effort at renewal. He shuffled the existing deck of cards but didn't introduce many new ones at the senior level.
READ MORE
-
ARTS AND CULTURE
- Ellena Savage
- 28 November 2014
9 Comments
The need for artists to exist inside an economy regulated by middle class tastes and preferences restricts the possibilities for their work. But when our present is rocked by the incredible injustices we are watching unravel in Ferguson, artists are called upon to drop their aspirations for class mobility that is tethered to the material, and instead draw light on the immaterial, Emerson's 'secret'.
READ MORE