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As with her previous films, Kelly Reichardt is interested in people moving through and reacting to their landscape. In Night Moves, the drama comes from the way the characters' reaction to their environment cuts them off from the world around them. This refusal to connect turns toxic.
Despite historical gains for women in terms of formal equality, structural issues - wage gap, superannuation gap, childcare, unpaid caring, inequitable income distribution - have not gone away. I do not see why my older women friends should be burdened with accumulated poverty simply because they are women. They carry a material burden because their unpaid work was considered to be performed 'for love', undeserving of financial security.
Suicide excludes people from any participation in this decisive act of people's lives, and also prevents them from understanding it. Suicide is always shrouded in silence, and arouses dread at entering the silence. The wrenching cry at the heart of of memories wrestles with the silence, 'Why did you do it?'.
While not everything always turns out for the best in Boyhood, the stakes aren't high in any traditional sense. Instead, time gains power from its sheer passage on the screen. For Mason, the central character, it is a liberation.
While we are all afraid of the unknown, complete certainty and predictability do not make for a vibrant life. Magic in the Moonlight is a film about the lens through which one chooses to see the world. Cynicism or wonder? Mayhem or magic? It poses the question: Which way brings more joy?
Rates of HIV infection are rising, while stigma is in decline. Some believe the only way to contain the virus is to maintain the stigma against those living with it. But the majority view is that those suffering should be empowered. If the law and the media support them, there is hope that the community will move rationally towards an end to the crisis.
Judge Garry Neilson is in a spot of bother after comparing incest and paedophilia to homosexuality. He is not the first judge to find himself in this situation and he will not be the last. Judges enjoy a life of privilege and status. In their own courtroom they are feudal masters. But when one of them makes a mistake, the media jumps all over them. Politicians rant. The controversy is always out of proportion to the alleged error.
We should open our eyes and take in what multiple government inquiries, among them the Royal Commission into Institutional Responses to Child Sexual Abuse, are telling us about Australian society. It is not enough to focus on just one; we should consider the revelations cumulatively. It is little exaggeration to say that almost no major institution in our society, public or private, has been left untouched. We should join the dots and cry.
View this week's offering from Eureka Street's award winning political cartoonist.
As Obama took steps to deal with carbon emissions, Abbott walked away from them. Beneath the complex political considerations in these responses stir deep passions. Human flourishing requires that we recognise the interdependence of human beings and our common interdependence with the environment. That recognition marks out the boundaries of the field within which our autonomy and initiative should play.
In Unheard Story, Fr Padraig McCarthy rightly highlights shortcomings in legal-political-media processes like the Dublin Archdiocese Commission of Investigation. The future wellbeing of children demands that the spotlight be shone on all equally. But there is no getting away from the fact that in Ireland and Australia, the reported instances of child sexual abuse has been greater in the Catholic Church than in other churches.
Governments have always included in their budgets a 'we're serious' clause as part of their determination to fix the economy. It has normally been directed at the vices of the underclass such as alcohol and tobacco. Now governments slash spending on the welfare of the disadvantaged.
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