Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
The story of colourism has roots that go back many generations; it has trickled relentlessly through time and is still evident in many ways today. In many countries with a colonial history, light skin was perceived, for a long time, as belonging to the upper classes, constituting power and wealth.
A common argument is that publicly-funded artists take unnecessarily from the ‘average Australian’. In the current international crisis, this argument fails to recognise that artists and arts workers are just as deeply impacted financially by COVID-19 as the ‘average Australian’ in other industries.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
My mother informs me, over the telephone, that she has just returned from a trial run of her inaugural ‘live-cam’ tour at the local Hindu temple in Kuala Lumpur. My niece, who lives in England, is learning about Hinduism in her Religious Education class and would love to show her classmates a live, on-site presentation of her grandmother’s temple.
It may have taken five years but in the last session of the recently completed Senate Inquiry, finally a government department bureaucrat has used the phrase — '…it is a national issue.' Well certainly — 'When it suits,' one might respond.
With COVID-19 having reached the prison population, the risks for prisoners are real. It is plain to see that prisons are vulnerable environments. Hundreds of people detained in close confined quarters and concerns around hygiene standards and access to masks are but some of the issues that make them fertile ground for the virus to grow in.
The Buhler arrest stirred a range of responses from across the political divide, many troubled. Legal representatives and human rights advocates were similarly disturbed by what they regarded as a lack of proportion and restraint in police action.
Google likes playing the equality-for-all card in the news business. This, from a company that behaves, across the provision of its services, monopolistically and ruthlessly.
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
The need to contain the spread of COVID-19 has led to a raft of emergency laws that have challenged us to deeply consider the appropriate balance between community and individual rights.
There’s a long way to go for the Coalition to change from ‘its business as usual’ performance in this as in many other matters. We can all play our part, however, in encouraging Senators to stop another sizable wind back in the nation’s democratic processes. If the Senate defeats this Radioactive Waste Management Bill then the Barngarla and others can, as in any democratic country, take to court the minister’s processes.
While the streets of America burn in the wake of George Floyd’s public lynching, a lesser known tragedy is playing out in Brazil. As COVID-19 ravishes the South American behemoth, home to the second largest number of infections worldwide, police and military forces continue spilling the blood of Black youths.
49-60 out of 200 results.