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If there's one thing we can learn from the Serena Williams debacle it is this: never dismiss marginalised people when they insist your interpretation of their experience is wrong.
Some days I feel like a people trafficker, though I'm not making a zack out of the trafficking. Other days I see myself as a latter-day Oskar Schindler. But mostly I just feel trapped along with the 1000 refugees and asylum seekers I'm doing my not-very-successful best to get the hell out of an open prison called Bangkok.
Trump's destruction of the architecture of international trade agreements and reversion to protectionism will expose the complexity of globalisation, but is unlikely to have the effect he is aiming at, which is to bring investment capital, and jobs, back to his country.
The Ramsay Centre was an agenda-laden venture at the outset. It has now been left hanging after ANU withdrew from negotiations, with Vice-Chancellor Brian Schmidt saying that a difference of vision led to the decision. The Ramsay Centre's focus on western 'civilisation' was never neutral to begin with. The people involved gives that away.
A thread of male entitlement binds the American literary world to a shepherd's world in India's Kashmir valley. Days ago, the American author Junot Diaz left the Sydney Writers Festival amid allegations of sexual abuse. In India there is another, more sinister and tragic manifestation, woven with the use of rape as a weapon of war.
As the West flirts with starting World War III in Syria, it is worth examining some of the financial and business dynamics behind the US 'military industrial complex'. War may not be good business, but it is big business. And in contrast to Russia and China, the industry in the US is heavily privatised, including the use of mercenaries.
The practice of appointing business people to oversee arts bodies is as questionable as referring to the arts as an 'industry'. Business and the arts work on almost diametrically opposed rationales. Understanding this might go a long way towards assessing the art world more intelligently.
Nana's favourites were chain-rhymed stories such as 'The Old Woman and her Pig', and 'This is the House that Jack Built', both of which I try to communicate to my grandchildren. My sister and I never realised how we were acquiring tastes for story and rhythm, or that we were exercising our young memories, our capacities for recall, as well.
American-British writer Amanda Foreman is campaigning to return authors such as Austen, Dickens and Eliot to curricula in famous schools. But teachers have told her that a generation reared on smartphones and iPads finds such authors too ‘difficult'. So what? is my inward cry.
This Thursday will mark 70 years of Australian peacekeeping with a commemorative service and dedication of a new peacekeeping memorial. Dr Rosalind Hearder believes stereotypical perceptions of war and peace can leave Australians with a misguided understanding of peacekeeping. 'It's not the same experience as combat. But that doesn't mean it is easier. The long-term effects can still be damaging.'
Was Harry Potter’s 20th birthday to blame? Or the 200th anniversary of Jane Austen’s death? Or merely the ageing process? It’s hard to decide, but in a life quite possibly ruined by literature, I have started remembering some of the books I read in childhood.
As the responses poured in to the ABC’s story on domestic violence in evangelical churches, I was reminded of the discomfort Saint Augustine showed, in The Confessions, towards his father beating his mother. But he still praised his mother for placating her husband to avoid beatings, and for criticising wives who were beaten. Augustine, then, while possibly opposing domestic violence, had no idea what to do about it, and endorsed behaviour that made it worse.
73-84 out of 200 results.