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There are more than 200 results, only the first 200 are displayed here.
Malcolm Turnbull's justification for calling for the introduction of electronic voting is that roughly six per cent of voters failed to correctly fill in their ballot papers on Saturday. Electronic voting would stop this senseless waste. Ignoring the fact that electronic voting would disenfranchise the roughly 5.9 per cent of voters whose democratic wish is to draw male appendages on their ballot, Turnbull has a point.
Abbott successfully damped down his glee in the taunting and negativity which he aimed so cruelly at the first woman prime minister, when she withdrew from the internal stoush she couldn't win. In the first round both he and Rudd offered the most boring, stagey and value-free 'debate' we have witnessed since the days of Billy McMahon. But the blokes got aggro and personal in the second.
Kevin Rudd says we need a 'new politics' or a 'new way'. Tony Abbott says we'll only get a new way by electing a new government. What is missing in both statements is the recognition that what we actually need is a new kind of economic democracy: a reconfiguration of our economic prioritising away from individualism towards the common good, and towards the participation of all rather than the exclusion of many.
As social commentary Elysium clearly has in mind any country that receives 'unwanted' arrivals of refugees. But it seems particularly timely in Australia, where the political response to asylum seekers who arrive by boat is simply to stop them. The response by the fictional bureaucrat Delacourt, to blow the smugglers' ships out of the air before they reach Elysium, certainly takes the 'stop the boats' mentality to its extreme.
On the face of it, life for a strong, talented and ambitious woman in 19th century Australia was much tougher than it is now. Yet even Louisa Lawson, a pioneer of women's rights who was grievously discriminated against and derided because she dared to excel, was never demeaned or personally debased to the extent Julia Gillard has been.
On the eve of the violent overthrow of the elected government of Chile 40 years ago, Pablo Neruda wrote a cycle of cantos that came to be called The Book of Questions. Twelve days after the coups the poet was dead. It is hard to miss the military and political connotations of some of Neruda's 'questions'.
Gillard's adroit manoeuvring of Abbott into supporting the NDIS will do little to help her come September. People typically vote for whoever they trust to govern, and the public's lack of trust in Labor derives not from policy or the legislative record but from the circumstances in which she became prime minister in the first place.
The backsliding began before Gonski even got started: his riding instructions were to ensure that 'no school will be worse off'. Since then one backward step has followed another. What the prime minister wants now from the state premiers when they meet on 19 April is not Gonski but the appearance of Gonski. She may not get even that.
Stéphanie loses her legs in a workplace accident. Alain is a single father who becomes her confidante. Their sexual encounters are shown to restore and affirm her dignity; they highlight the physicality of the act, particularly how Stéphanie's confidence in her own changed body flourishes through it.
The Arts Minister Simon Crean's new Creative Partnerships initiative is another more-of-the-same, fund-career-administrators-and-educators-and-leave-artistes-to-their-hellish-squalor kind of model. Art can be a satisfying occupation, but artists cannot live on self-satisfaction alone.
Western feminism rejects women who don't ascribe to certain rules, such as putting children in care, pursuing a career or even disliking men. Young women looking for an antidote to such aggressive, individualistic feminism may turn to Africa, where community-centric, gender-inclusive ideologies have been espoused for decades.
It's hard to trace the rumour that Benedict's shoes were designed by Prada. Perhaps it was just a mischievous allusion to The Devil Wears Prada. Benedict is a wily fox, which is why we can be sure his red shoes were there to invite symbolic interpretations. Only thing is, red shoes have a life of their own.
169-180 out of 200 results.