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ARTS AND CULTURE
- Tim Kroenert
- 08 February 2017
1 Comment
The Academy, it seems, has listened. After the #whiteoscars furore of past years, three of this year's Oscar nominees for Best Picture, Moonlight, Fences, and Hidden Figures, are films with predominantly (if not entirely) Black casts, and focused on the experiences of Black characters. Cast and crewmembers from all three have been nominated in various categories. To be fair, all three films would have demanded attention, with or without the recent controversy around awards season racial bias.
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ARTS AND CULTURE
- Tim Kroenert
- 01 February 2017
2 Comments
The chaos embedded in these characters' world is made clear through physical symbols - Chiron flees from bullies into an abandoned drug den, where he finds a used syringe and holds it up to the light like a talisman - and by the camera, which trails and circles the characters, or locks onto their faces, a conduit for their grief or desperation or lust or rage or joy. Bursts of actual violence or dramatic confrontation are rare. Where they occur it is their emotional content that is most confronting.
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ARTS AND CULTURE
- Tim Kroenert
- 18 January 2017
2 Comments
The perspective is Jackie's at all times; JFK himself rarely appears onscreen, and often is just a shoulder or a jaw glimpsed in profile at his wife's side. Portman's is a fine portrayal, displaying at all times an abiding grace and dignity, whether she is washing her husband's blood off her face, or facing down the questions of an astute journalist who may or may not be on her side. In the making of the Camelot myth, Jackie models the presidential funeral on Abraham Lincoln's, by this very process rejecting her brother-in-law Robert's doubts that the Kennedy presidency ultimately amounted to much at all.
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ARTS AND CULTURE
- Tim Kroenert
- 14 December 2016
3 Comments
Amid the noise of Batman battling Superman, the Avengers turning against each other, and middle aged fanboys whingeing about the Ghostbusters franchise being revitalised with an all-female lead cast, 2016 has actually been a pretty solid year for movies, both in and outside of Hollywood. We haven't had time to see them all (we have a magazine to publish, after all) but nonetheless here is a list of our ten favourite films reviewed in Eureka Street this year.
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ARTS AND CULTURE
- Tim Kroenert
- 07 December 2016
Families can be sites of great love and nourishment, and also of pain and trauma - often, all of these things, to varying degrees. The Family Fang focuses on the lives of adults bearing the mental and emotional ramifications of what can fairly be described as an abusive upbringing. It provides an illuminating counterpoint to Little Men, in which the close and sincere friendship of teenage boys comes under strain from their parents' 'grown-up' problems.
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ENVIRONMENT
- Frank Brennan
- 28 November 2016
'No matter what the economic, political and legal problems confronted by modern day India, our response can be improved by an application of the key principles and norms developed in the international law of trade and human rights, helping to enunciate the realm of law, regulation and political accountability, enhancing public scrutiny providing the right environment for doing business.' Frank Brennan presents the 25th JRD Tata Oration, Xavier School of Management, Jamshedpur, India, 26 November 2016.
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ARTS AND CULTURE
- Tim Kroenert
- 23 November 2016
5 Comments
The welfare system Daniel experiences is a bureaucratic nightmare, populated by condescending Health Care Professionals, shadowy and calculating Decision Makers, managers who loom over their clients like stern parents, and caseworkers who stifle any human compassion for their desperate supplicants. He is grilled by a welfare officer about every aspect of his health except the only relevant one, his heart. Later, he runs afoul of the agency's 'online by default' processes. Daniel has never used a computer in his life.
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ARTS AND CULTURE
- Tim Kroenert
- 15 November 2016
1 Comment
In science fiction, stories of first contact typically have as much to say about humanity as they do about the extra-terrestrial creations of the author's imagination. Mary Doria Russell's 1998 novel The Sparrow explores the consequences of a Jesuit-led mission to a planet near Alpha Centauri, which are profound for the planet's sentient inhabitants and devastating for the human travellers. As in The Sparrow, language is central to Quebecois filmmaker Denis Villeneuve's philosophically piquant first contact story Arrival.
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AUSTRALIA
- Neve Mahoney
- 27 October 2016
24 Comments
The 'men's rights' documentary The Red Pill has been pulled from Melbourne's Palace Kino cinema, sparking debate over censorship and what constitutes partisan reporting. The men's rights movement holds that 'feminism has gone too far', to the point that men are discriminated against. Since the internet and the third wave of feminism, the majority of MRA groups seem to be little more than a veil for misogynists to legitimise their sexism. It's a shame, because there are some MRA groups who raise real issues.
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ARTS AND CULTURE
- Tim Kroenert
- 26 October 2016
8 Comments
Perhaps it is the high egocentricity of Woody Allen's films that makes it difficult to separate the man from his work. More so even than Roman Polanski, the allegations of sexual abuse that have been levelled at Allen in life lend an unsavoury flavour to his art. Even revisiting Annie Hall these days, Allen's classic and endlessly innovative 1977 romantic comedy is tainted retrospectively by a sneaking sense of sexism, if not outright misogyny. The same is true of Café Society.
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ARTS AND CULTURE
- Tim Kroenert
- 19 October 2016
Our first glimpse of Jesse, a 16-year-old model recently arrived in LA, is of her sprawled on a sofa, scantily clad and smeared with fake blood. Later, during her first professional shoot, she is ordered to strip naked, and to endure being smeared with gold paint by the photographer's own hand. Another model boasts about the routine cosmetic surgery she undergoes to maintain the object that is her body. In the eyes of the industry, Jesse as an 'object' is already perfect.
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ARTS AND CULTURE
- Tim Kroenert
- 12 October 2016
2 Comments
Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.
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