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ARTS AND CULTURE
- Tim Kroenert
- 17 June 2016
In one scene, as Taylor and Davis argue, the dialogue comes down and the score comes up; her voice is literally taken from her. When Davis then physically assaults her, the message is clear: his music and his violence are notches on the same spectrum. This conflation of creativity with destructiveness is a typical error of mainstream biopics about great artists who were not nice people. Yet applied in the context of spousal abuse it is not only specious but ethically dubious, even dangerous.
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ARTS AND CULTURE
- Tim Kroenert
- 09 June 2016
Vice-principal Rickard claims the credit for having lifting the status of the once struggling public school, and sees in the smart but troubled new student Mark both the potential to do well and a danger to his own legacy. For his own part Mark, who was previously kicked out of the private school to which he had earned a scholarship, sees in Rickard a misguided do-gooder and, later, something a little more dangerous: an ambitious man whose ego is the flipside of insecurity.
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ARTS AND CULTURE
- Tim Kroenert
- 02 June 2016
2 Comments
It's the last chance for Ricky, who has been through a lot of other foster homes before winding up at Bella and Hector's. We don't know the detail of these experiences, but it is telling that the natural nurturer Bella's smallest gestures - cooking breakfast for Ricky, or putting a hot water bottle in his bed at night - are kindnesses like none he has ever known. It contrasts with the child welfare worker''s mantra of 'No child left behind', which on her lips becomes menacing, or at best a bureaucratic inanity.
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ARTS AND CULTURE
As is the time-honoured tradition of Hollywood PIs, Holland has long bound the wounds of some unresolved grief in alcohol and cynicism. Notwithstanding individual tastes that are by no means aligned with gender, this is the kind of movie that can tend to appeal to puerile male interests while diminishing respect for women. In this regard Shane Black, a mainstream filmmaker who is more self-aware than most, tries to have his cake and eat it too, by both drawing and subverting the objectifying male gaze.
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ARTS AND CULTURE
With PNG's Supreme Court finding last month that the detention of asylum seekers on Manus Island was unconstitutional, the shamefulness of Australia's border protection policies was once again laid bare. Advocates will be familiar with the facts and arguments that Chasing Asylum articulates. What sets it apart is its wealth of hidden camera footage caught within the grim confines of the centre on Nauru, and Orner's conversations with detainees and social workers who bore witness to the dire daily reality there.
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ARTS AND CULTURE
The film explores the dynamic between men and their ageing parents, as Frank, trying to make up for neglecting his relationship with his own dead mother, clashes with Sarah's neglectful adult son. Essential to this sifting of family and belonging as central to the identity of suburban males, is a rumination on houses as homes versus property. As a real estate agent, Frank is repeatedly chastised by a young father who feels increasingly priced out of the market.
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ARTS AND CULTURE
Despite its epic scope it is also deeply intimate and, dare I say, spiritual. Roy regards his son with a mixture of stern, protective love, and helpless wonder. They are joined in their quest by Roy's childhood friend Lucas, a state trooper converted to Alton's cause after literally seeing the light in his eyes. Also by Alton's mother, Sarah, who of all the cohort has the most direct experience of the 'sense of awe' that ultimately unfolds from the 'mystery' of Alton's story.
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ARTS AND CULTURE
- Kristin Natalier
- 27 April 2016
4 Comments
The federal government's new ad aims to 'stop violence from the start'. It sends a strong message that violence is never acceptable. But it firmly positions domestic violence as a problem of individual attitudes of perpetrators, not the social and economic vulnerability of victims. Envisaging an end of domestic violence achieved through 'starting conversations about respect with boys and girls' sidesteps the need for the material resources necessary to stop violence when it happens.
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ENVIRONMENT
Ursula Rakova told how the sea that had been the friend of her people, was turning against them. It had crashed through and divided her island in two. Coconut palms were collapsing at the new shoreline. Food gardens were lost, as the soil was increasingly rendered infertile by salty tides that washed over them. The land that had been handed from grandmother to daughter, would bequeath no legacy to the granddaughters. The homeland of generations was disappearing before their eyes.
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ARTS AND CULTURE
- Tim Kroenert
- 21 April 2016
3 Comments
Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
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AUSTRALIA
The chants were thunderous and sustained, as the suited and elegantly coiffed guests began to arrive for the Liberal Party fundraiser at Docklands. Initially there did not seem to be a significant police presence, as if the need for security was not considered high. As the chanting rose to a crescendo, chaos ensued. The mounted police arrived; but there seemed no plan of crowd control. It was a small protest but it was locked into a contained area with only one entrance. Then the wounded started to emerge.
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ARTS AND CULTURE
- Tim Kroenert
- 07 April 2016
When a remote valley in the north of Iceland is struck by an outbreak of scrapie - a fatal, degenerative disease that affects sheep - Gummi, Kiddi and their farmer neighbours must face the prospect of conducting a mass slaughter. This is very much a communal crisis, and a consideration of the socioeconomic hardships of traditional Icelandic sheep farmers in modern times. But it's also a teasing-out on the personal level of Gummi and Kiddi's emotional and practical responses to this turn of events.
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