Keywords: Youtube
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ARTS AND CULTURE
- Tim Kroenert
- 11 February 2016
As screenwriter for comic such oddities as Being John Malkovich and Adaptation, Kaufman delineated a particular type of over-educated, middle-class, white male character. His protagonists are artists whose alienation and self-loathing is at odds with their social privilege, and whose creative drive entails a winnowing for authenticity or immortality that leads them inexorably down the rabbit hole of their own navels: the search for meaning as the ultimate act of self-absorption.
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ARTS AND CULTURE
- Tim Kroenert
- 04 February 2016
11 Comments
As a white, middle-class, straight, cisgendered man, I am conscious of the extent to which the chips of social privilege have been stacked in my favour. As such there are some public conversations that I am patently unqualified to enter. One of these is the sometimes fierce debate that exists between some feminists and some members or supporters of the transgender community. One of the pitfalls of telling a story about marginalisation from a perspective of privilege is that you can overlook ethical nuances.
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ARTS AND CULTURE
- Tim Kroenert
- 01 February 2016
For seven years, Joy has been held prisoner in the garden shed of a suburban maniac. During this time she has raised a son, Jack, who is now five, employing elaborate and imaginative methods to nurture and educate him, while protecting him from the reality of their existence. Room is remarkable for its capacity to transmit the bleakness of Joy's situation via the wonder-full gaze of Jack, for whom this makeshift prison is the entire world, bursting with possibilities for recreation, rest and learning.
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ARTS AND CULTURE
- Jim McDermott
- 28 January 2016
4 Comments
Not long ago a priest visiting from abroad told me that the story of Spotlight doesn't really apply to his country. 'We don't have that problem here.' It's a comment you get somewhat regularly from some parts of the world. Would that it could only be true. Without a much greater willingness on the part of the institutional Church to let itself be broken and changed by what we have learned since January of 2002, it's more likely a sign of disasters still to come.
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ARTS AND CULTURE
- Tim Kroenert
- 21 January 2016
2 Comments
It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.
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ARTS AND CULTURE
- Tim Kroenert
- 14 January 2016
If you're going to apply a blowtorch to an institution as wealthy and litigious as the Church of Scientology, you might best be advised to first apply a magnifying glass. Alex Gibney details the dark side of the movement: its dubious tax-exempt status; allegations of psychological and physical abuse of current members and harassment of former members. But he is equally interested in unpacking the nature of belief in Scientology: what draws people to it, and also what drives them away.
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MEDIA
- Rochelle Siemienowicz
- 13 January 2016
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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AUSTRALIA
- Sabine Wolff
- 11 January 2016
9 Comments
Just when the ringing of the words 'I stopped the boats' had finally subsided and you were getting used to the idea of business agility and economic innovation as the key battlegrounds, who should pop back up but former Prime Minister and Culture Warrior in Chief, Tony Abbott. Abbott's Margaret Thatcher memorial speech — in which the words 'a hint of Thatcher about my government' were used with apparently no irony whatsoever — was a stunning example of revisionism, hubris, and confused ideology.
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ARTS AND CULTURE
- Tim Kroenert
- 17 December 2015
2 Comments
From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.
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ECONOMICS
- David James
- 15 December 2015
3 Comments
In the early 1990s, America, Europe and Japan accounted for about 90 per cent of world GDP. Now, they account for less than half. The BRICs and other developing nations have grown steadily (in China's case spectacularly) while Europe has stagnated and America has sputtered at best. Recent developments in the geopolitics of fossil fuels and in finance confirm the perception that the rise of China and the developing world spells the end of US global hegemony. Against this backdrop, the narrative of the West has grown increasingly incoherent.
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ARTS AND CULTURE
- Tim Kroenert
- 10 December 2015
The End of the Tour is most compelling as a consideration of the relationship between journalist and subject, which is a strange kind of beast, glorified in the sprawling feature profiles of Rolling Stone and its ilk. At its best the relationship is marked by intimacy generated through dialogue, but at its worst or it is mutually exploitative. Scenes from this year's Amy Schumer press junket revealed how bad things can go when an interviewer thinks they are going to befriend their celebrity interviewee.
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ARTS AND CULTURE
- Tim Kroenert
- 03 December 2015
2 Comments
Adi was born after the 1965 atrocities, but his older brother Ramli was killed during them. He watches filmed interviews in which the perpetrators laughingly detail Ramli's murder, before going to confront and question them. These encounters are emblematic of a new generation of Indonesian seeking enlightenment from a former generation who find it less painful, or simply more beneficial, to forget. But Adi doesn't seek to humiliate or denigrate. He seeks the seeds of reconciliation in shared humanity.
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