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Philosopher George Santayana sagely pronounced, ‘Those who cannot remember the past are condemned to repeat it.’ Yet that repetition is part of being human. We are creatures of habit and don’t necessarily notice or learn from our thoughts and deeds. Nor do we necessarily want to be made aware of that lack of learning.
Australian cultural icon and erstwhile publisher Hilary McPhee calls Telltale ‘a rare thing, an ingenious memoir,’ and she is right. It is interesting and reassuring to note that books about reading and recollections of reading habits seem to be proliferating. Perhaps such writing is a defence measure against worrying developments like universities in England, for example, axing their English Literature courses.
I was reading / When you left. The news came / Thirteen hours late. So where were you / In that little space of time? Were you breathing softly / In my consciousness? / Should I keep you alive / In morning walks and birdsong, / The smell of braised pork, / And my every achievement?
The subject of this Stray Thought is not sleazy thoughts. It is rather the thought of becoming a lion tamer which might steal upon a person focused from childhood on being a musician with all the sacrifices that this choice has entailed. Or the thought that might lead a soccer goalie to leave his position and go forward to score a winning goal for his team. Naughty thoughts are secret, personal and disruptive. They defy the conventional wisdom we have accepted about career, security and responsibility.
In most circles poetry doesn’t matter. It doesn’t put bread on the table, nor raise people to revolt nor even make news unless a grizzled footballer is outed for secretly writing poems. Even in churches poems and hymns are altered to improve their orthodoxy in matters of faith, gender, race or modernity, but rarely their poetic quality.
Salman Rushdie is a writer with a most defiant sense of humour. If you want to get to know him, I wouldn’t start with The Satanic Verses (1988), the book that has brought him so much grief. Thirty three years after Ayatollah Khomeni imposed a fatwa on the author, it would seem to have led, on August 12, to a young man called Hadi Matar making an attempt on Rushdie’s life at a public event in New York.
Uncle Boda was a figure who managed to tease out an image at one mention with his humble and unambitious doctor’s practice, for which he worked for years to obtain. He had read medicine in India, and to this day it remains unclear how long he spent trying to earn his degree.
Headlines in print (newspapers and magazines) have some heavy lifting to do. They need to convey the essence of the story in as few words as possible, be enticing and hopefully be funny, clever or both. In traditional news terms, you should know what the story says from the heading, intro and first paragraph. However, the funny thing about being funny (especially with word play) is you’re assuming your audience knows the same things you do.
Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
Allies atomique axis / bayonet blood bullet / catatonic courage cowards / digger deficit demobbed / edged embedded enemies.
Journalist and author Elle Hardy spent 15 months researching and writing her 2021 work Beyond Belief: How Pentecostal Christianity is Taking Over the World. She notes the estimation that by 2050, one billion people around the world (one in 10 humans) will be a Pentecostal follower of Jesus (and their pastor).
It is often said that it takes a village to raise a child. It also takes interested and supportive people to encourage athletic talent. A recent documentary on the world's most successful male distance runner Sir Mo Farah raises questions around how host countries know about waste of talent and opportunity when they routinely deport asylum seekers or lock them up?
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