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ARTS AND CULTURE

Aboriginal community ditched by church and state

  • 24 November 2011

Toomelah (MA). Director: Ivan Sen. Starring: Daniel Connors, Christopher Edwards, Dean Daley-Jones. 97 minutes

Warwick Thornton's Samson and Delilah (2009) probed the euphoric and demonic realities of substance abuse. Brendan Fletcher's Mad Bastards (2011) portrayed Aboriginal men in a remote Kimberley community struggling to find healthy means of expressing anger. Alongside these two films, Ivan Sen's Toomelah forms a kind of unofficial trilogy of stories of cultural displacement and disadvantage on remote Aboriginal communities.

It is named for the northwest NSW mission town where it is set; a place to which Sen himself has a profound connection. 'It's the home of my mother, it's where she grew up, a lot of my Indigenous family comes from there,' he tells Eureka Street. 'I've always wanted to make a film there, it was just a matter of when and how.'

Substance abuse, male anger and violence, all with roots in displacement, are realities in Sen's story as they were in Thornton's and Fletcher's. But Sen focuses more pointedly on the fact of cultural extinction — emblematically, the loss of language (the characters speak exclusively with a bastardised, subtitled form of English) — and the ongoing effects of this absence within the lives of his characters.

'Cultural extinction is the major issue facing a lot of Aboriginal communities,' says Sen. 'You don't hear a lot about it from government. You hear about health, education and housing. But cultural extinction is directly related to the psyche of the people. And a lot of these communities are struggling to find a system of living.

'They haven't connected with the western style of living. The church at one point had a big influence, but the people it influenced are dying out now. They're an amazing people that have had this amazing culture for such a long time, and now just remnants of it are left. Reclaiming that culture is a major part of moving forward.'

Toomelah delves into the cultural vacuum and finds ten-year-old Daniel (Connors). His mum is a stoner, his dad is a drunk and, after the latest in a line of serious classroom misdeeds, he has been kicked out of school. Daniel is drawn to affable local drug dealer Linden (Edwards), who takes him under his wing. Soon Daniel witnesses violence when a rival dealer (Daley-Jones) returns from jail to reclaim his turf.

For Sen, the story really started to take shape when he discovered Connors. 'I wanted to give people a chance to