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In recovering from catastrophic events, we need to look beyond the simple defining of problems, finding solutions that match them and naming agencies responsible to fix them. We need to be curious about the persons involved, their interlocking relationships which have contributed to the trauma and the possibilities for healing within those relationships.
Multiple media reports have focused on individuals and households moving away from sustainability — mostly because of understandable concerns about contamination — and yet, the conversation about the impacts of our biggest businesses and corporations hasn’t been as loud.
The dweller in the bone attic holds countryside as home; thinks of food, safety, health and warmth for family, self and group. Frenetic scuffles rage in the brick canyons where the hunt is commerce and food constructed.
What is often not expected or well understood is the effect of ‘lag time’ aftershocks in our regions following economic crisis. Lag time is an attribute of some rural, regional and remote communities and is most often seen in economically path dependent and single industry communities, many of which of course, comprise RRR Australia.
In the week following my mother’s funeral I wake up knowing I need to begin cooking again. I need to enter the world beyond my door. It takes me until lunchtime to coax myself out from under the doona. I will walk up to the local shops for bread and vegetables.
Possibly the thing I have missed the most is Melbourne's live music scene. The removal of being able to go to a venue and admire the sheer volume of talent this city produces — not to mention the talent we also get in from other states and territories — has hit me hard.
Many women and children in Pakistan might not be safe within their own houses. They are being forced to be locked in with their abusers, with little to no hope of intervention from authorities or the outside world, as everyone is engaged in fighting with the virus.
The COVID-19 pandemic is starting to ease, but the economic and financial fall out has just begun. It is not as if the world economy was in good shape before economic activity was slashed and entire industries were shut down. Those fault lines are only going to worsen, and the consequences might be very dark.
I keep going back to a short story, by Carmen Maria Machado in her book Her Body and Other Parties, called ‘Inventory’. In its simplest terms, the story is a narrator’s list of her lovers loved: boyfriends, girlfriends, neighbours, strangers. From this inventory emerges, bit by bit, the story that has made the list necessary: an epidemic is ravaging the world’s population.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
We are at the end of the beginning. ‘If you feel you have coronavirus…’ I tune out emotionally and daydream as the public service announcement plays over and over in empty trams and trains, and in deserted shopping centres.
At the brink of dawn swelling with the cries of the pinkest of pink galahs, the sweltering Tennant Creek, thirsty with soul, stranded in the heart of the heart of the country.