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There is still a long way to go before Australian society is free of mental health stigmas and adequate services are funded and accessible. This is especially important for Australians who are at the intersections of multiple oppressions. But there has been progress, as a number of recent initiatives illustrate.
This is yer suit and yer tie. This is yer glimpse of the sky. This is yer walk in the rain. This is yer dash for the train. This is yer train to the city. This is yer town without pity.
The voices of two women in the train up to the highlands rise in volume and insistence ... 'Mother, they're not Germans. I said, gerberas, they're all around the farm. Just wait, you'll see them from the window of the lovely room we've set up for your stay. A field of gerberas in full bloom.' 'And are the Germans all in uniforms, then, dear?'
I love reading about the lives of the poets. The ones for whom nothing good ever happened. The ones who were sure that if they did not write, they would surely disappear. The ones who tried to make the invisible visible, and failed; who carried news to this world from another one, as if it were bottles of wine and loaves of bread.
I'm a white man in a white man's world, his mother tongue the lingua franca everywhere. I may not be rich, but I am more or less free, and my calling has let me travel the world. It's easy for me, not having had to fight for mine, to ask us to go deeper than identity when we write. But when James Baldwin says the same thing, it compels.
This place is new to my son, who doesn't know that satin bowerbirds pilfer the brush ... He's busy tracing each scribble in each gum, and my hands are full of his hands, faintly heavy — faintly delicate. A towering deciduous fig hangs over us; its branches are neural pathways, thin at their tips the way memories thin in time.
I was heartened by the announcement Gordon Legal is pursuing a class action for robodebt victims. I am one of hundreds of thousands of people who has gone through the robodebt process. I too felt the exercise of a reverse burden of proof; guilty until proven innocent.
i am a dinosaur / old fogie off with pixies / poor old dodder-bloke! / i grow wings and fly ... telling my song-story / you would put me in my box?
Take almost any street, in any modern city, and we are there. We are the substrata of society, ever-present, the unseen lining, the padding in the crowd. We carry our backgrounds closer than our wallets, effortlessly. Yet they inform our every step.
They feel a shyness and a fear/taking off their clothes. Gravity has had its say/regarding shape and size. Their bodies are a narrative/permitting no disguise. There’s been no rush — or just a bit — the lattes have been had.
There was a love that manifested in my house that needed no naming. It transcended adjectives or nouns. We were so playful to the extent we tried our mother's dresses, skirts, blouses. In days when I felt the fullness of my mischievousness, I dressed like my mother or sister and ran out of the house to make people laugh. There was no fuss about it.
All right, Chongqing, let my dry skin fall in love with your moisture, my eyes used to the desolation and wind and sand ... Your sudden flashes of lightning and thunder, commotion of dripping water, and the heaving quietness, the fate of history.