Search Results: cultural appropriation

  • ARTS AND CULTURE

    Another dog day for cultural appropriation

    • Tim Kroenert
    • 11 April 2018
    1 Comment

    The commentary around the film's appropriation of Japanese culture has been sustained and substantial. At least these allusions are for the most part detailed and respectful; that the hero is named after a defunct American video game company is less palatable. Trickier still are the creative decisions related to language.

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  • INTERNATIONAL

    Refugee inventors prove the power of education

    • David Holdcroft
    • 26 February 2018
    5 Comments

    Louise, Aline and Kapinga are hardly household names in Australia. They are better known in Malawi, having received the prestigious Scientific and Technological Innovation Award at the Malawian National Schools Science Fair. Aline and Kapinga are all refugees residing at Malawi's Dzaleka Refugee Camp.

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  • RELIGION

    Cultural appropriation a year after Shriver furore

    • Yen-Rong Wong
    • 12 September 2017
    5 Comments

    A little over a year ago, Lionel Shriver delivered the opening address at the Brisbane Writers Festival, deriding political correctness and defending the practice of cultural appropriation by white writers. This year's festival didn't attract real controversy, but the memory of last year still lingered, and it's clear that parts of that mentality live on.

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  • RELIGION

    Religious belief in a tempest tossed church

    • Andrew Hamilton
    • 29 March 2017
    29 Comments

    The Tempest Tossed Church will invite some Catholics to ask how they should visualise and plan for the future of the church. The Catholic challenge will be to shape pockets in which religiously literate and radical communities are formed around the symbols of faith. Its contribution to a more humane society will be made by joining other small groups in keeping alive the sense of 'something more' and by passing on the craft of finding the words, symbols and silences that catch it.

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  • RELIGION

    Dancing through St Patrick's Day myths

    • Francine Crimmins
    • 16 March 2017
    8 Comments

    My grandfather told me Patrick was a saint because he drove the frogs and snakes out of Ireland. He also told me if I stepped in a fairy ring while we were on our walks I'd disappear forever. So naturally as I grew older, I became skeptical. Each year in my family St Patrick's Day has marked a survival of Irish culture in Australia. Sometimes this can be in subtle ways and sometimes it means singing at the top of our lungs, enjoying a drink and having a dance.

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  • ARTS AND CULTURE

    Interracial romance's antidote to cultural appropriation

    • Tim Kroenert
    • 08 March 2017
    2 Comments

    Mildred would later say of Frank that 'he always took care of me'. Yet this telling of the story shows a more mutual exchange of strength and support than such a statement might imply. The Lovings' entanglement with the state of Virginia would ultimately lead to constitutional change in favour of interracial marriage, and Loving portrays Ruth as the main agent of the battle. At a time when cultural appropriation has become much talked about, this film by a white filmmaker shows a different way.

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  • ARTS AND CULTURE

    Space race saga's Black history through White eyes

    • Tim Kroenert
    • 14 February 2017
    1 Comment

    There's a gag about sitting in the back of the bus, the realities of segregation dismissed with a giggle; references to university sit-ins and firebombings come via the eyes of a cartoonishly earnest character. Meanwhile the White characters are either the object of contrived sympathy, or too thinly drawn to invoke genuine menace. Accusations of 'cultural appropriation' might be uncharitable, but the short shrift given to the real, continuing hardships of Black experience raises questions about objectives and authenticity.

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  • AUSTRALIA

    Question your motives when appropriating minority voices

    • Neve Mahoney
    • 25 November 2016
    9 Comments

    In a utopian world, free of racism and bigotry, there would be no problem with writers having complete artistic freedom. It becomes a problem when, for example, a white author takes the experiences of a Ugandan woman and writes a novel that becomes an acclaimed bestseller, while writers of colour struggle to get published and have their own stories told. This is white privilege at its finest. Morally, should the privileged be able to profit from the experiences and oppression of another culture?

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  • AUSTRALIA

    Respect and relationships in forming identity

    • Andrew Hamilton
    • 19 October 2016
    7 Comments

    Promos suggest you can choose your identity. Join a tour to Kurdistan and you can become an adventurer. Buy an Aussie flag, sing loudly about boundless plains, and you can become a dinky di Aussie. Identity, however, is more subtle. It is formed by relationships, to the human race, to body, to place of birth, to language, to the significant adults of childhood, to possessions, to education and work, to hobbies, religions and political parties and to all the people met through these relationships.

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  • ARTS AND CULTURE

    'Racist' Luke Cage's case for black justice

    • Tim Kroenert
    • 12 October 2016
    2 Comments

    Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.

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  • AUSTRALIA

    Identity politics and the market

    • Andrew Hamilton
    • 05 October 2016
    5 Comments

    In political commentary liberal politics and identity politics are often presented as polar opposites. For supporters of liberal politics the relationship between the two is one between virtue and vice, rationality and emotion, the wise against the mob. I believe that the relationship is more complex, that identity politics shares the same stunted assumptions about personal and national identity as liberal politics, sees the self-interest of the latter, and wants to despoil it.

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  • INTERNATIONAL

    Cultural ownership and responsibility is not just a fad

    • Esther Anatolitis
    • 04 October 2016
    10 Comments

    Who owns a cultural object? Who has the right to determine cultural values? And how can public institutions exercise cultural responsibility? It's a timely set of questions as we consider the implications of the National Gallery of Australia's return of ancient Indian sculptures, the British Museum's refusal to return Indigenous objects, or Lionel Shriver's rejection of minority cultural identities. Each of these unleashes complex, painful consequences that can undermine cultural value or cultural safety.

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