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Moscow-based Director of the Russian International Affairs Council (RIAC)Dr Andrei Kortunov warned of its tragic consequences for Russia in an article published four days before the launch of his country’s invasion of Ukraine. The de facto partition of Ukraine, he said, as a result of the Kremlin’s recognition of the independence of the People’s Republics of Donetsk and Luhansk, will signify ‘the final formalisation of the division of Europe’ from which there may be no easy retreat.
American novelist Jonathan Franzen has in his last three fictional works taken words that loom large in the collective consciousness and built worlds around them. First, it was Freedom (2010), then Purity (2015), and now Crossroads (2021). The latter title, of course, refers to a literal and figurative decision-making moment, but also the mythic locale where blues singers, notably Robert Johnson, made their pacts with the devil.
The university campus is really the ideal place to tackle thorny issues. It is a safe place to examine all ideas, even — or perhaps especially — those that people find offensive or disturbing. The sad fact, though, is that there is a push these days to send the opposite message to students — that they should be shielded from intellectual discomfort.
It’s no secret that highly politicised issues seem to elicit strong emotional reactions, particularly feelings of intense anger. But not only are these feelings common, individuals seem actively motivated to seek out stories of tragedy, scandal, and injustice on a seemingly unending quest to feel moral outrage.
On the fifteenth anniversary of Rutilio Grande’s death, I went to a memorial celebration in Aguilares. This crossroads town was the centre of the Jesuit local mission of which Grande had been part. I had already been struck by the affection with which everyone spoke of Rutilio Grande. In a society where any ministry to people who were poor exposed one to constant danger, it was natural to become hardened in order to survive. Rutilio Grande, however, was remembered and treasured for his vulnerability.
Instead of retaining its control of a fruit market, or preserving an oil monopoly, Facebook harnesses another resource: data. Any regulator or sovereign state keen to challenge the way the Silicon Valley giant gathers, monetises and uses that data will face their ire.
There really is no such thing as ‘capitalism’ — or rather there are so many capitalisms that the word is altogether too imprecise to be useful. A much better term to identify the problems, even evils, of modern developed economies is ‘corporatism’. This can be precisely identified and its transgressions and general harm are getting worse.
I own my proclivities and short comings / I own the transgressions of those which have inflicted wounds some unhealed / I own the sublime moments of subjective joy / I own little but I am rich in compassion / I own not the land it owns me
Attitudes towards truth have changed. Now we accept the idea that there are different sorts of truth: the phrases historical truth, narrative truth and emotional truth come trippingly off the lips of vast numbers of people. Then there are the complex notions of fantasy and fiction: we have long subscribed to the notion of novelists making up various ‘lies’ or fantasies in order to tell underlying truths about human nature. But we also have to accept, I think, that a gentleman’s word is no longer his bond.
Writers inevitably learn bitter lessons, including one about readers who will be wounded, hurt, or at least deeply offended by their work. There is usually more than one group of these, for people become upset for reasons that are many and varied. Such is the case in the reaction to Jeanine Cummins’ fourth book, American Dirt. Cummins has been variously accused of stereotyping, racism, narcissism, and of lacking in empathy.
Although I teach poetry and do occasional workshops, the following is written in response to one such workshopper, new to writing poetry, who in lockdown would message me on social media with fairly open-ended questions about poetry. My answers are written after the wry manner of the Polish poet Wislawa Szymborska; wry, but generally helpful. They are not the launch pad for a new poetics. I have stopped for now at 12 questions, but the questions keep rolling in.
Sins have often been divided into those of thought, word and deed, with deed regarded as the worst. Today we pay more attention to sinful words, realising the harm that they can do. Bad words can bring social exclusion. Yet complex questions surrounding the use of words remain.
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