Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
Edward Cole understood that books encouraged community. The businessman could rub shoulders with the tramp in his Arcade. Now, in an age of division and isolation, more than ever we need spaces which facilitate community; light-filled cathedrals dedicated to the love of knowledge and stories, and their power to cross borders, politically, ideologically and culturally.
By attending to the faces of people who are seen as props to the election campaign, and developing an interest in the background of social change in different parts of Australia, we gain a deeper understanding of Australia and its needs. At one level election campaigns are all showbiz and make believe, but at another the humanity that they can never quite stifle also punctures the images that the contesting partners project of Australia.
While we have been (barely) coping with a pandemic and natural disasters, the death of a larger-than-life figure like Shane Warne — an ordinary-bloke-cum-sporting-legend, an ever-present companion to Australian audiences, and seemly untouchable — has really brought home the fragility of life. It has drastically reminded us of our mortality: that we don’t live forever.
Taken together the events of recent years suggest that we face a crisis, a time in which the working assumptions that have guided our personal and collective lives no longer hold. If we do not change we face increasing threats to the world that we shall hand on to our children.
Under Victoria’s Border Directions after 23 July, people in NSW, including Victorian residents, were effectively prevented from entering the state. Their only option was to request an exemption for a number of specified reasons including ‘attending a funeral or end of life event or returning home for health, wellbeing, care or compassionate reasons or for any other reason under a general discretion’.
For almost two years our pets have had us all to themselves. Everywhere I go now, the dogs follow: to the study, to the television, to the bathroom, to bed. I’m the recipient of that same loyal companionship sought out by so many during the pandemic: across the world, demand to adopt or foster animals — and dogs, in particular — has surged.
Deterrence has an inner logic that we can see in Australian treatment of people who seek protection. In the first place it tends to become increasingly brutal. Each breach of policy must be met with a more effective deterrent.
The COVID-19 pandemic has provoked difficult questions about the links between the simultaneous health and ecological crises. These questions were examined in late January at the virtual Halki Summit, the latest in a long series of environment-focused events convened by the Istanbul-based Ecumenical Patriarchate.
Since the pandemic started to show its teeth on our shores in March, there’s been a trend to wave away any other matter other than COVID-19 with an examination of, ‘Just one crisis at a time — we’ll get to climate change after we’ve got the economy back on its feet.’ The only problem is we don’t have the luxury as a nation to solely focus on one crisis at a time.
These last weeks the possible re-election of Donald Trump has been one of the dark birds that visit many of us in the night. As with other such epochal events, of course, how we might react internally to it is of vastly less weight than its effect on the world. Neither early morning wandering nor anything else we can do will change that. But it might shape our response.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
25-36 out of 200 results.