Keywords: Comedy
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ARTS AND CULTURE
Given last week's unequivocal iteration of the dire state of Australian politics, perhaps we've earned the right to a bit of escapism. The Secret Life of Walter Mitty proves adept at turning the warm-and-fuzzies up to 11. Still there's no escaping the sense that Walter's ability to jet around the world in order to find himself is implicitly an expression of affluent, white male privilege.
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ARTS AND CULTURE
The Double proffers a nightmare vision in which the human spirit is no match for the corrupt and corrupting power of a society obsessed with productivity and material achievement. In a week where we have seen an Australian Budget that gives favour to economic rationalism and the wellbeing of the wealthy, over that of some of our society's most needy citizens, such cynicism resonates powerfully. That is a tragedy.
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AUSTRALIA
- Michael Mullins
- 12 May 2014
12 Comments
The jury is out on whether Chris Lilley's new ABC1 comedy Jonah from Tonga gives a free kick to racism and other forms of discriminatory behaviour. The prejudices in Lilley's Jonah are depictions of the wounds of Australian society, not the attempt of a far-right ideologue to promote a stratified nation based on race.
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AUSTRALIA
- Frank Brennan
- 11 April 2014
8 Comments
'We should abandon talk of taking Australia off the table. We should also abandon talk of taking the sugar off the table. The collateral damage of that is too great. The best we can do ethically and practically is to put the sugar out of reach while leaving it on the table for those who make it here with a visa or in direct flight from persecution.' Frank Brennan contributes to a Palm Sunday panel at St Michael's Uniting Church, Melbourne.
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ARTS AND CULTURE
- Tim Kroenert
- 10 April 2014
1 Comment
Sex addicted woman Joe's story is marked by innumerable sexual encounters with random men. Often it is explicit, and thoroughly unpleasant. It culminates in a pointed statement about societal double standards regarding gender and sex. By contrast, Carol's story about trying to get ahead in a man's world is affirming and uplifting at every turn. Both stories are about women and power, but ultimately Carol's is the more empowering.
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ARTS AND CULTURE
- Tim Kroenert
- 27 February 2014
2 Comments
Woody surely has dementia, which would explain his certainty that a sweepstakes flyer stating that he has won $1 million is authentic. While one son would prefer to put Woody in a home, the other, David, agrees to honour his wish to cross state lines to claim his fictitious winnings. Woody is aware of his own dwindling physical and mental agency, and understands that the small gifts of dignity afforded to him by David are not small at all.
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AUSTRALIA
- Ray Cassin
- 29 January 2014
15 Comments
'Don't mention the war!' admonishes John Cleese as the hapless hotelier Basil Fawlty in the classic television comedy series Fawlty Towers. With a string of war-related anniversaries to take place over the next four years, beginning this year with the centenary of the outbreak of the First World War, we may soon find ourselves sharing Fawlty's sentiments.
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ARTS AND CULTURE
- Tim Kroenert
- 23 January 2014
5 Comments
If ultimately Belfort's comeuppance for his innumerable evils is modest, and his lessons remain unlearned, it is deeply and frighteningly ironic, in a way that has parallels in the real world. The global financial crisis resulted precisely from the kind of unbridled amorality that the characters in The Wolf of Wall Street gleefully embrace. Money is their morality. Lives are left battered and bruised, but the Wall Street party keeps raging on.
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ARTS AND CULTURE
- Barry Breen
- 18 December 2013
11 Comments
Santa walks into a bar and the barman says: Sorry, we're claused. If sarcasm is the lowest form of wit, then punning must have a reputation almost as undesirable. A joke that can be greeted only with a groan can hardly be a real joke now, can it? But punning has a rich history. It graces the pages of the greatest of writers. And when it comes to puns, subeditors responsible for article headings believe themselves to be a race apart.
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ARTS AND CULTURE
- Tim Kroenert
- 28 November 2013
Police detective Bruce Robertson is corrupt, violent, misogynistic, and a depraved drug addict. But he is not entirely inhuman, and Filth spends much frenetic energy trying to map the ghastly inner wounds that bleed greenly into his outer corruption. But just how do you build sympathy for a character whose near-to-first on-screen act is to sexually assault the underaged girlfriend of a murder suspect?
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RELIGION
- Frank Brennan
- 12 November 2013
5 Comments
'Having thrown off the shackles of compulsion endured by pre-Vatican II Catholics, we relish that we come to the table not because we are forced, not because of social expectations, not because of the mindset of the mob, but because we are graciously called and freely responding.' Frank Brennan's Camino Address, Parish of Our Lady of the Way North Sydney, 12 November 2013
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RELIGION
- Frank Brennan
- 08 November 2013
1 Comment
'Many Catholics wonder how we can maintain our Christian faith at this time in the wake of the sexual abuse crisis and the many judgmental utterances about sexuality and reproduction. The Church that has spoken longest and loudest about sex in all its modalities seems to be one of the social institutions most needing to get its own house in order.' Frank Brennan's address to the Yarra Institute for Religion and Social Policy, 8 November 2013.
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