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Even as it is an ‘inner light’, illuminating all else, having faith isn’t without critical reason. Philip’s ‘appreciative but never uncritical’ approach to faith might be said to characterise the approach of a growing number of young people, too.
A serious discussion of freedom of speech must move beyond it as an individual right to see speech as communication. It will then consider all the relationships, personal and public, involved in communication. It presupposes that people share a common commitment to truth. Freedom of speech flows from that deeper human responsibility and freedom to seek truth.
I have stared at this photograph of me and Dad for more than five months. The picture was found in Mum’s drawer. After some calculations and contemplations, Mum said I was three years old in the photo. How much can I remember from age three? How far back in time can I go? What I could only do was stare, imagine, and ask questions.
I was just fifteen years old when I was forced to run for my life. I dreamed of seeking a better education in Australia and becoming a pilot. Instead, I became a refugee in Indonesia, which does not recognize my existence and basic rights. I am even refused an education in this country. I have been in limbo for the last eight years.
Insofar as there is hope in Francesco, it emerges gradually through an intimate viewing of the Pope’s engagement with the ‘hot button’ issues of our day, the environment and climate change, refugees and immigration, violence and conflict, disparity of wealth and poverty, women’s place in society and Church, family and sexuality, and sexual abuse within the Church.
The past couple of weeks have seen the racism former Collingwood great Heritier Lumumba endured while at the club hitting the headlines. This is not the first time Lumumba’s allegations have been in the news, but on seeing Collingwood ‘taking a knee‘ in solidarity with the Black Lives Matter movement at their game against Richmond, he saw an opportunity to broach an hypocrisy which had long gone unaddressed.
Daddy Cool is a thoroughly absorbing biography, witty, astonishing, often intensely moving, effortlessly in charge of a crowded and potentially confusing canvas (readers of a certain age will recognise names like Jack Davey, Roy Rene, Dick Bentley, Willie Fennell).
Public mask wearing — including ‘a piece of cloth, a scarf, bandana, t-shirt, or paper towel’ — was hot on the global public health agenda. One major demographic, however, had trouble fashioning this expert advice: men.
There are the same bland assurances from successive ministers, the local MP and government bureaucrats that all will be well, nothing will go wrong; fears for lands and waters and the reputation of our state’s food, fibre and tourism brushed aside. Again a strong media secrecy, intended or otherwise, from all, save a few local regional, outlets.
I keep going back to a short story, by Carmen Maria Machado in her book Her Body and Other Parties, called ‘Inventory’. In its simplest terms, the story is a narrator’s list of her lovers loved: boyfriends, girlfriends, neighbours, strangers. From this inventory emerges, bit by bit, the story that has made the list necessary: an epidemic is ravaging the world’s population.
The question remains, however, is there a straight binary trade-off between granting the state power (to organise lock-downs, track its populace and coerce the people) and keeping its people safe?
Illness, so apparently explicit and ever more obvious as it progresses, in fact defies definition: submitting apparently to scientific and medical description, it escapes into a quality of pain, exquisite loss or appalled helplessness that is often most clearly captured at the heart of great works of art.
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