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The power of Jones' film comes from bringing us the faces and voices of the victims in the present day; to hear in their words and see in their manner the ongoing trauma of those experiences. It is a timely and illuminating exploration of the impacts of child abuse, arriving during a period when many of our Australian institutions, religious and otherwise, have been facing the probing spotlight of a royal commission for behaviour that was at times equally as secretive, and traumatic.
A few years ago I woke up on Christmas morning to see a small, neatly wrapped gift under the tree. The size and shape were familiar and I was excited to see my name on the gift tag. I'd wanted a new phone all year ... one with one of those touch screens everyone else seemed to have. A few months later I could no longer feel pride for my phone, instead just guilt. I'd sat down and watched a documentary about how phones just like mine were manufactured.
Amid the noise of Batman battling Superman, the Avengers turning against each other, and middle aged fanboys whingeing about the Ghostbusters franchise being revitalised with an all-female lead cast, 2016 has actually been a pretty solid year for movies, both in and outside of Hollywood. We haven't had time to see them all (we have a magazine to publish, after all) but nonetheless here is a list of our ten favourite films reviewed in Eureka Street this year.
I'm a 36 year old white Australian who grew up middle class in suburban Adelaide. I can count on one hand the number of households in the streets I lived on which were always-already made up of a mum-dad-kids scenario. The research on children's attachment, development and resilience shows kids need meaningful, culturally appropriate relationships with caring and competent adults in order to thrive as human beings. These adults can be pretty much anyone as long as they fit that bill.
The 'men's rights' documentary The Red Pill has been pulled from Melbourne's Palace Kino cinema, sparking debate over censorship and what constitutes partisan reporting. The men's rights movement holds that 'feminism has gone too far', to the point that men are discriminated against. Since the internet and the third wave of feminism, the majority of MRA groups seem to be little more than a veil for misogynists to legitimise their sexism. It's a shame, because there are some MRA groups who raise real issues.
At the opening of the Environmental Film Festival Australia in Melbourne last week, festival patron and former Greens senator Bob Brown highlighted the movement against oil drilling in the Great Australian Bight. He painted a picture wherein a major spill in the region could lead to an environmental disaster stretching as far from the site as the NSW coast. His words make the release of Deepwater Horizon, about the disaster that led to the 2010 BP oil spill in the Gulf of Mexico, even more timely.
Snowden's disclosures regarding the data-mining activities of the US government sparked a worldwide debate about security versus privacy that rages to this day. If his status as either a villain or a hero - a traitor, or the ultimate patriot - remains a matter of debate in some circles, you won't die wondering in which camp Oliver Stone sits. In Snowden the famously didactic filmmaker posits an utterly sympathetic portrait within the structure of a lithe and gripping political thriller.
At a Sydney school, a group of teenage refugees come together to share their stories, first with each other, and then with their friends and families via a live theatrical performance. Treehouse Theatre is run by three dedicated teachers, who facilitate the sharing, and help transform the children's stories into scripts that can be performed. Their stories are yet another reminder of the human cost of conflict, and of policies that exclude and further traumatise those who are fleeing from it.
There are hints of darkness behind the laughs. We learn Brent spent time in an institution some time after the original 'documentary' aired. He is shunned by his band members, who see themselves as reluctant employees rather than friends. What emerges is a rather affecting portrait of a man whose self-identity is at total odds with reality, and threatening to come crashing disastrously down.
This week, Israeli PM Benjamin Netanyahu claimed that although 'some of you will not believe' it, he 'cares more about Palestinians than their leaders do'. He is right - I don't believe him, not least because what he is saying is nothing new. Israel has long been claiming that it only harms Palestinians because Palestinians force them to do it. As well as making Israel sound remarkably like an abusive partner (Why did you have to go and make me hit you?) this is also Dehumanisation 101.
All politicians and political parties select the statistics and 'frame' that best suits their position. But even among the slippery-tongued ranks of federal parliamentarians, Greg Hunt is in a league of his own. The frustrating thing is that proving him wrong is almost counterproductive. One of the main reasons for stalled action on climate change is the issue has become overly abstract. Debating technicalities with the Environment Minister just reinforces these ways of viewing climate change.
Just how strictly controlled the process is becomes obvious when it emerges that the task of the 50 member Citizens' Jury will be to produce 'a short independent guide to help every South Australian understand the recommendations raised' by the report. ABC news has dubbed this whole process the Premier's 'public relations exercise', and surely they're not wrong. He is urging all South Australians to remain 'open' about the proposal. But are they, including the Citizens' Jury, allowed to be open to refusal?
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