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When Kenneth Hugh Gittins is in the room and crash-tackling the conversation, well, eat your heart out Salvador Dali and Walter Mitty. Conversations turn surreal, fact-checking expeditions run aground. A charming teller of truths and tales (some tallish and some Himalayan), this rustic raconteur has perplexed many an audience or congregation and delighted many a grandkid and great-grandkid with his reminiscences.
There is no popular groundswell for constitutional change in the direction of a republic just at this moment. The parliamentary recess, the proclamation by the Governor General of our fealty to the new King, and the public holiday were all a bit embarrassing. The parade being over, we can go back to gawking at the Royal Family much like Americans do. The question of what monarchy means for us feels best left alone for a while.
I am deeply saddened at the passing of inspirational actor, storyteller, artist, potter, musician Uncle Jack Charles. I loved him. I was one of the many who loved him. He was a gentle, loving, big-hearted man, despite it all. Because of it all. He triumphed over institutional racism, the legacy of colonialism, and the immense suffering, fragmentation, and trauma it left in its wake.
How can individuals and organisations engage with and support progress on reconciliation? In this conversation, Fr Frank Brennan SJ (Rector, Newman College) and Vicki Clark touch on progress of reconciliation in Australia in light of the Uluru Statement from the Heart, Constitutional recognition of Aboriginal and Torres Strait Islander Peoples, the Yoorrook Justice Commission and the Victorian Treaty process.
Few Australians of Irish descent will now be familiar with this history and the experience that accompanied it. They would see themselves as simply Australian. But the emphasis on social justice, the recognition of the value of community, and the concern for people who are marginal that are communicated through Catholic schools and the sympathy with the underdog owe much to the Irish heritage.
Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
Last month I travelled to Ethiopia, visiting an IDP (Internally Displaced Persons) camp filled with thousands of people facing a hunger crisis. The triple threats of conflict, COVID and climate have created the perfect storm, with serious impacts on countries that depend heavily on grain, fuel and fertiliser imports from Russia or Ukraine, including Yemen, Somalia, Ethiopia and Sudan.
Is there nothing Government can do to turn around the ever-increasing numbers of children requiring intervention by child protection, youth homelessness and justice systems? Government can start with policies that support families, in all their diversity, and begin to prioritize the needs of children above all else. And given all the evidence tells us that fathers matter to children, isn’t it essential to get fatherhood right?
Ozark is, at heart, an unflinching look at evil. I’ve always known I’d come back to each new release of episodes in part because the darkness is made watchable by the likeable faces of Jason Bateman and Laura Linney. They play the couple at the centre of a family amidst sinister violence and corruption. Indeed, the juxtaposition between the content and those faces is a key part of what makes the show so intriguing.
Since the Federal Election one of the most refreshing features has been the new Prime Minister’s connection with people. Whether it is shown by riding a bamboo bicycle with the Indonesian President, expressing sympathy for the Nadesilingam family for their prolonged ordeal before returning to Biloela or agreeing with Jacinda Ardern, herself a model of public empathy, about the unreasonableness of expelling to New Zealand people who had never lived there, his actions displayed a readiness to listen and to enter the experience of other people.
Writers are not only preoccupied, among other things, with the concept of place, but also with the matter of time and its passing. Novelist L.P. Hartley famously wrote that the past is a foreign country: they do things differently there. Cretan Nikos Kazantzakis considered that ‘the face of Greece is a palimpsest bearing twelve successive inscriptions,’ and he went on to list them, from the 1930s, when he wrote these words, to the Stone Age.
In Australia’s treatment of refugees and asylum seekers, notably those arriving by boat, compassion and fairness have rarely threatened a policy deemed cruel, costly and ineffective. The fate of the Muragappan family has been a continuous, scandalising flashpoint about the nature of Australia’s border protection policies.
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