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In 1983, when his yacht Australia II won the America's Cup, Alan Bond hailed the feat as the greatest Australian victory since Gallipoli. His ludicrous misspeaking shows that by the 1980s the mythmakers' interpretation of the significance of Gallipoli was dominant. But the notion that the Diggers of Gallipoli and their successors in subsequent wars are somehow the paramount exemplars of Australian virtues does not survive scrutiny.
'Don't mention the war!' admonishes John Cleese as the hapless hotelier Basil Fawlty in the classic television comedy series Fawlty Towers. With a string of war-related anniversaries to take place over the next four years, beginning this year with the centenary of the outbreak of the First World War, we may soon find ourselves sharing Fawlty's sentiments.
The diggers' catchcry, liberty, saw fascism a'yawning/ enfranchisement followed suit, with racism adorning/ its streamlined passions for the cause — White Australia Policy a'borning.
Remembrance Day has always been for Australians a quieter affair than Anzac Day, particularly as Anzac Day in recent years has taken on a brassy, bragging style. The historian Ken Inglis described Anzac as Australia's civil religion. Although we were the first country anywhere to come together under a national constitution after a mass popular vote, we downplay Federation and venerate instead a failed military campaign in Turkey in 1915.
The NSW Parliament recently passed a resolution condemning the Armenian Genocide, conducted by Turkey in 1915. The Turkish Consul-General in Sydney, the foreign ministry in Ankara and even the city council in Gallipoli immediately responded. The resolution disrupts the astoundingly successful charm offensive Turkey has conducted in Australia for years, fostering a positive relationship with Australia through the shared ordeal of Gallipoli.
Sometimes events take on a significance beyond their historical context. That was the case with Gallipoli and the Eureka Stockade. It may also prove to be the case with the bodies left in the water after an asylum seeker boat sank, and the delay by the Australian authorities to take responsibility for their recovery.
Should I even be saying all this to people I have never met? What do I say? How far do I go? My paternal grandfather, Edgar, was not only an Anzac but among those who landed nearly 100 years ago at the Turkish cove. Even among my family his experiences are still largely passed over in silence.
Gallipolli was a disaster and a relatively minor conflict, but it is upon such 'minor' conflicts that Empires are built. These songs go to the heart of a contradictory dilemma: the love of country on the one hand and the ugly extremes of patriotism on the other. Published 23 February 2011
My father was just 23 when he saw action. He is now nearly 90, and his recent description of the Borneo beach landing, which he had never mentioned to his offspring before, made my brother's blood run cold.
Gallipolli was a disaster and a relatively minor conflict, but it is upon such 'minor' conflicts that Empires are built. These songs go to the heart of a contradictory dilemma: the love of country on the one hand and the ugly extremes of patriotism on the other.
The book was banned after parents complained about its anti-authoritarian attitude: 'Wanja [the dog] loved to chase the [police] van ... to bark at the van ... to bite at the wheel. The police van would drive away.' Like Jewish humour, Aboriginal humour is a response to a history of oppression.
As Anzac Day approaches, Australian flags adorn our streets. To many, this display of nationalism is inoffensive and appears even as a sign of cohesion. But it may also be a worrying facet of the growing appeal found in exclusionary identity politics.
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