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Renowned author and academic Tony Birch is known for his insightful and compelling narrative explorations into societal issues like marginalisation, Aboriginal identity and racial struggles. In conversation with Paul Mitchell, Birch discusses his work, the unique intersection of academia and creative writing, and the profound impact of historical dispossession.
In the final German Synodal Way assembly, the Church addressed difficult issues, openly discussing obligatory celibacy and blessing same-sex couples and divorced Catholics. The assembly pushed for Church teachings to adapt to individual congregations' realities, but how this approach will affect the global Church is unclear.
Near-death experiences can serve as stark reminders of the fragility of life, prompting us to cherish the moments that transcend routine and monotony. Whether it's the wit of a child, the intimacy with a partner, or the tranquility of nature, these moments awaken us to the gift of life.
The word synodality may not be familiar to many, but it's a word that Pope Francis has been emphasising throughout his papacy. It refers to a Church that listens and travels together, with everyone having something to learn from one another.
The town celebrated Guy Fawkes day and burned an effigy of the man who tried to blow up the Houses of Parliament centuries before. For days beforehand, even as the holy women left the churches where they had prayed for the release of souls from punishment, children would be dragging carts and prams around with Guy Fawkes dummies they’d made, stuffed with straw and newspaper like scarecrows, easy to burn.
A large part of ending violence against women and children is about convincing men that there’s a more healthy way to live; that there’s a society in which they can feel comfortable in themselves, pursue their dreams, and find love and comfort with others, and feel respected for who they are.
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
Reverend Tim Costello's informal status as a nagging conscience to many Australian governments, including the Howard government in which his brother Peter served as federal treasurer, was formally acknowledged when the National Trust of Australia chose him as a ‘National Living Treasure’. Barry Gittins speaks to Tim Costello about the nature of power, and its place and exercise in public life.
Assessments serve a valuable purpose: they give us a way to measure what students are learning. The problem is, they don’t seem to be learning. According to the Australian Council for Educational Research, recent results confirm that Australian 15 year-olds continue to show significant declines in math, reading and science when measured against their international counterparts. Australian students are learning less, and at the same time, never have we seen such an emphasis on assessments in schools.
The Queen’s life of overt public religion — which led her to become perhaps the twentieth century’s greatest Christian evangelist — was grounded in her conviction in the Gospels’ truth. And she interpreted Jesus’ story generously and ecumenically, broadening her role from the narrow Anglican identity of Supreme Governor of the Church of England to become an advocate by example for faiths of every kind.
I am deeply saddened at the passing of inspirational actor, storyteller, artist, potter, musician Uncle Jack Charles. I loved him. I was one of the many who loved him. He was a gentle, loving, big-hearted man, despite it all. Because of it all. He triumphed over institutional racism, the legacy of colonialism, and the immense suffering, fragmentation, and trauma it left in its wake.
Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
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