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Keywords: Thriller

  • ARTS AND CULTURE

    Six books to read this summer

    • Sarah Klenbort
    • 20 December 2023

    Summer is upon us, and with it — I hope — the reading season. So here are my top reads from the last two years (and one that feels relevant from 2014). What are your recommendations for summer reads?  

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  • ARTS AND CULTURE

    Another Melbourne

    • Gillian Bouras
    • 27 October 2023

    Set in a Melbourne bursting with bohemian allure, Chris Womersley's The Diplomat is a book of despair and the agony of regret. Intertwining the worlds of art, drug addiction and deception, the author confronts us with the question: how well can we truly know another? 

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  • ARTS AND CULTURE

    The disquieting lessons of Ian McEwan

    • Peter Craven
    • 14 June 2023

    Ian McEwan's Lessons marked a sharp twist in a five-decade literary career, and presents an opportunity to reflect on his expansive body of work. The one-time literary rogue and Booker laureate now stands as the unquestioned doyen of modern English fiction, his audacious work perpetually navigating undercurrents of unease.

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  • ARTS AND CULTURE

    The book corner: Act of Oblivion

    • Gillian Bouras
    • 25 November 2022

    In August 1660, the English Parliament passed the Indemnity and Oblivion Act, targeting those involved in the trial and execution of Charles I. The death warrant for Charles I had been signed by 59 judges, and 31 of them were still alive in 1660. Those caught suffered a terrible death of being hanged, drawn and quartered. Pursuit of the guilty was unremitting. Act of Oblivion follows the careers of three regicides and Civil War veterans who fled to the British colonies in America. 

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  • ARTS AND CULTURE

    Mates, spies and silence

    • Brian Matthews
    • 30 March 2021
    4 Comments

    The military police were waiting for us in Gallipoli and they were not happy. Approaching in darkness, when we rolled to a stop we were immediately surrounded by uniformed figures. A group of men playing cards outside a café watched this drama unfold and one shouted something which made them all laugh. The military police, however, did not laugh.

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  • ARTS AND CULTURE

    Clear and present history of cops killing black men

    • Tim Kroenert
    • 05 November 2017
    1 Comment

    Detroit weaves archival footage with recreations of the racially charged 12th Street Riot of 1967, a moment poised against the civil rights movement and the disenfranchisement of urban blacks, before homing in on the incident at the Algiers motel - a cross-section within a cross-section of that moment in history, where three black citizens were beaten and killed by police.

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  • ARTS AND CULTURE

    Strong women heroes of grim abduction parables

    • Tim Kroenert
    • 24 May 2017
    1 Comment

    If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.

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  • ARTS AND CULTURE

    Young women confronted by the horror of exploitation

    • Tim Kroenert
    • 19 October 2016

    Our first glimpse of Jesse, a 16-year-old model recently arrived in LA, is of her sprawled on a sofa, scantily clad and smeared with fake blood. Later, during her first professional shoot, she is ordered to strip naked, and to endure being smeared with gold paint by the photographer's own hand. Another model boasts about the routine cosmetic surgery she undergoes to maintain the object that is her body. In the eyes of the industry, Jesse as an 'object' is already perfect.

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  • ARTS AND CULTURE

    Oliver Stone's love letter to hero Edward Snowden

    • Tim Kroenert
    • 28 September 2016
    1 Comment

    Snowden's disclosures regarding the data-mining activities of the US government sparked a worldwide debate about security versus privacy that rages to this day. If his status as either a villain or a hero - a traitor, or the ultimate patriot - remains a matter of debate in some circles, you won't die wondering in which camp Oliver Stone sits. In Snowden the famously didactic filmmaker posits an utterly sympathetic portrait within the structure of a lithe and gripping political thriller.

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  • ARTS AND CULTURE

    Kidnapped woman's post-traumatic love

    • Tim Kroenert
    • 01 February 2016

    For seven years, Joy has been held prisoner in the garden shed of a suburban maniac. During this time she has raised a son, Jack, who is now five, employing elaborate and imaginative methods to nurture and educate him, while protecting him from the reality of their existence. Room is remarkable for its capacity to transmit the bleakness of Joy's situation via the wonder-full gaze of Jack, for whom this makeshift prison is the entire world, bursting with possibilities for recreation, rest and learning.

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  • MEDIA

    2015 in review: Australia's film industry boys club

    • Rochelle Siemienowicz
    • 13 January 2016

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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  • ARTS AND CULTURE

    Ten films that got us thinking in 2015

    • Tim Kroenert
    • 17 December 2015
    2 Comments

    From the drama-filled mind of a pre-teen girl to the homes of former Indonesian death-squad members; from a day in the life of a transgender sex-worker to a grim and sublime new rendition of one of Shakespeare's most famous plays; from one actor's immense ego to another's fading relevance to an allegedly doomed writer's captivating self-effacement, Eureka Street's resident film buff Tim Kroenert revisits the characters and themes of some of the best and most conversation-worthy films of 2015.

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