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Refugee Week has been overshadowed by stories of harsh new laws, reports of government misbehaviour and ministerial silence. Regrettably hostility towards asylum seekers is widespread. We must look beyond this crabbed little world to imagine a polity in which states cooperate to change the conditions that force refugees to flee.
All Australian states and territories have mandatory reporting legislation requiring compulsory disclosure of suspected child abuse by relevant professionals. The Australian Border Force Act requires the permission of the Secretary before any disclosure of criminal conduct is made to the relevant authorities. Should an Immigration professional who works with children fulfil their mandatory reporting obligations if this permission is not granted (and face two years in prison) or not?
Joan's outstanding quality was her generosity, which gave her interactions great warmth. She remembered names, faces, and the back-stories of her constituents and supporters as well as her opponents. She stayed politically alert on the issues dearest to her heart, notably public and private respect for the unique perspectives of women and girls. I will miss our great, sometimes squabbling relationship.
Maria's aunt was the subject of one of Austria's most famous artworks, Portrait of Adele Bloch-Bauer I, by the painter Gustav Klimt, which was stolen from Maria's family by the Nazis during the Second World War. Maria's story raises questions about the means and consequences of individuals and nations coming to terms with difficult histories, and of what constitutes 'ownership' of cultural artefacts with a high level of national significance.
A man sets in motion an elaborate scheme to get back at everyone who has ever done him wrong. This maniacal anthology of short cinematic stories earned an Oscar nomination this year along with a bundle of other accolades in its native Argentina and beyond. The darkly comic 'Little Bomb' shows a man's life and mind unravel as he rages against the perceived injustice of a parking infringement penalty.
To describe events as mythical is always open to misunderstanding, because in common speech myth is opposed to reality. When mythical stories are seen as unreal, the deep significance they have for individuals and groups also comes into question. So a hostile response is to be expected.
It has certainly been an extraordinary election where, for once, Scotland has played a central role, especially in the realm of new ideas. It will be good for democracy in the UK if the predicted SNP landslide occurs, to put progressive policies ahead of party advantage and ensure the neo-liberals in Cameron's team are stopped from unleashing the same chaos as Mr Abbott in Australia, and compassion, care for the most vulnerable and services such as the NHS remaining in public hands return to centre stage again.
It is hard to escape the impression that even in 2015 the only black characters that the American film industry can reward are maids, slaves or dysfunctional urban archetypes, in stories where there is an identifiable white saviour. Any triumphs are of the spirit, of personal fortitude, nothing that compels social responsibility, invokes political will or even a sense of historical reckoning.
To prevent arguments, I have given up using the word 'football' for any code. I now almost exclusively use the terms soccer, Aussie rules, rugby (union) or league. What matters is not the shape of the ball, but whether a sport can provide great stories and spectacles on the field.
Among this year's silly season news stories is the trivialising treatment of Greens Senator Larissa Waters' deadly serious call for parents to avoid buying Christmas toys that gender stereotype their children. 'Blue for boys, pink for girls' is a dogma that can do real harm to young people, and parents should focus instead on what makes their children genuinely happy. There is no room for judgment and coercion that seeks to make them someone they are not.
Personal grief, complicated by group dynamics, is a volatile mixture. Phillip Hughes' death reminds us that personal stories highlight the huge variety of needs and perceptions surrounding a death in the workplace. When do we tidy the desk of the colleague who won't be back? There is a time, but maybe it's not yet.
Try watching slasher parody Scream 4 with your eyes closed and see how much sense it makes. On the other hand, Martin Scorsese's Goodfellas and Kevin Smith's Clerks, with stories driven by strong characters and dialogue, offer up cinematic pleasures even a blind person can appreciate. Welcome to the world of America's Blind Film Critic, Tommy Edison.
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