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Possibly the thing I have missed the most is Melbourne's live music scene. The removal of being able to go to a venue and admire the sheer volume of talent this city produces — not to mention the talent we also get in from other states and territories — has hit me hard.
As the sea withdrew, the waves left curling black lines that crossed one another. The beach became a map in which territories were separated from one another. That image reflected the fires and the ways in which they were perceived. They were more than localised events. They affected relationships that spread far beyond the fire.
Tired and world weary, the British electorate went to the polls. Rarely in history can there have been such an assemblage of unelectable or disappointing types standing for office or trying to remain in it. It proved to be an ugly boredom, though it was uglier for some than others.
A casual reader, picking up Tony Kevin's book without much background knowledge on the events which it covers, might assume that the work was alarmist conspiracy theory, so wildly is it at odds with the standard fare which one reads in the papers about Russia and contemporary politics in general. Frighteningly, it is not.
If we wish to persuade the public that a group of people is being treated unjustly, we portray them as innocent victims. We represent them as a class and as virtuous in order to change public opinion. Stories of violent behaviour by members of the group, however, reveal the reality that no group is uniformly composed of the virtuous and innocent.
In a time when bad news stories seem to abound, it is welcome news that someone's audacious plan to tackle a seemingly insurmountable environmental problem is having such success. Of course, Slat's clean-up project is just a drop in the ocean (if you'll excuse the pun) in relation to fixing our global problem with plastic waste.
Beginning with the origins of the fairy story and with her own diagnosis with cerebral palsy, Leduc opens the question of why disability in fairy stories is a trope when, for many of us, it is just a fact of life. What follows is a fascinating exploration of how fairy stories socialise us into particular expectations — of ourselves and of society.
He may be proud, even arrogant, but he's fun. With Odysseus you read yourself; his company is exciting and revealing, so much so that his homecoming is everyone's domesticity.
Three times in the past three years I have received a spontaneous gift in the form of a scarf. The gifts came from three different people, on three different continents. As it happens, there's a shelf in my bedroom cupboard stacked with neatly folded scarves and wraps in rainbow hues. Every last one of them has a story to tell.
Among writers familiar in Australia who write in this vein are Michael McGirr, Terry Monagle and the much missed Brian Doyle. Their writing does not merely describe but evokes and creates a world, and shapes a human response that respects its variety and mystery. These qualities are evident in Julie Perrin's Tender.
To what extent has society reacted to the deaths of these two children? Awareness stops with the available imagery. Drowned children on western shores are processed differently in our psyche to the children killed in drone attacks, their absence of identity compounded by statistics which dissociate humanity from numbers.
Without audio description, 357,000 Australians are excluded from a world of social interactions that are continuously evolving around a plethora of drama, comedy and romance; from a pop culture language that stems from fictional characters glorified in sweeping epics like Games of Thrones and a multitude of other popular series.
37-48 out of 200 results.