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In science fiction, stories of first contact typically have as much to say about humanity as they do about the extra-terrestrial creations of the author's imagination. Mary Doria Russell's 1998 novel The Sparrow explores the consequences of a Jesuit-led mission to a planet near Alpha Centauri, which are profound for the planet's sentient inhabitants and devastating for the human travellers. As in The Sparrow, language is central to Quebecois filmmaker Denis Villeneuve's philosophically piquant first contact story Arrival.
Have you ever noticed the way that book and reality sometimes entwine and become essentially one? It's happening here and now as we contemplate these few hot days in Hawker and the Flinders. Anita Desai's The Zigzag Way creates a context for living here at this particular ephemeral moment. Altiplano Mexico in all it's barren frugality integrates with these hot and marginal plains hemmed in by the cragginess of surrounding scarplands with their many strong stories
Growing up in Geelong, many friends worked at Ford, or Alcoa, Pilkington or any of the other allied suppliers. As each of these stopped manufacturing in Victoria's second city, employers and governments promised retraining. But where are the jobs? Factories are quickly moving to a 'lights out' operation, with no lights, no air conditioning — and no humans. Modelling suggests nearly 5000 Geelong residents will lose their jobs to the decline in manufacturing before the end of 2017, and 200,000 nationwide. Can we find new-economy jobs for every one of them?
'First warning: if you're going to be serious about a Human Rights Act, make sure that your government departments are sufficiently resourced and encouraged to produce meaningful statements of compatibility. Second warning, especially in a unicameral legislature: make sure that your parliamentary committee on human rights has sufficient muscle and status to arrest the progress of any bill until it has been thoroughly scrutinised for human rights compliance.' Frank Brennan's remarks at the Fringe Conference of the 2016 Queensland ALP Convention.
Even prior to Brexit, the Conservatives were wanting to replace the UK Human Rights Act with weaker legislation. They have been worried about what they perceive to be a loss of sovereignty. But even the British Conservatives remain committed to some form of human rights act. I commend the Queensland parliament for undertaking its present inquiry, and sound a cautious note of optimism about the modest gains which might be made by the enactment of a human rights act in Australia.
You'd swear, from men's outrage in response to Trump's remarks, that such behaviour is rare, committed only by the truly reprobate and swiftly condemned. But, no: the volume of assault and harassment stories shared on Twitter with the hashtag #notokay, 27 million by Monday afternoon, prove that sexual assault and harassment is common. If women in their millions are relating their experiences of sexual harassment and assault, there must be men in their millions committing these crimes.
Representation of minority identities in popular entertainment is key to amplifying and dignifying those identities and their stories. Conversely, the lack of representation is a form of silencing. It's why the charges of racism laid against the all-black Luke Cage is so laughable. 'I will never get tired of seeing a bullet-proof black man,' series creator Cheo Hodari Coker told the LA Times earlier this month, positing the character as a riposte to the phenomenon of police shootings of unarmed black men in the US.
Almost all territories have their own popular artists, writing and performing in their native languages. However, many of these musicians seem unable to break into the wider market. In terms of marketed music, there is no doubt that English speaking artists hold sway. Yet some artists, such as Sydney Aboriginal band Dispossessed, who perform in both English and in language, and Cardiff native Gwenno, whose debut solo album is sung entirely in Welsh and Cornish, are bucking the trend.
At a Sydney school, a group of teenage refugees come together to share their stories, first with each other, and then with their friends and families via a live theatrical performance. Treehouse Theatre is run by three dedicated teachers, who facilitate the sharing, and help transform the children's stories into scripts that can be performed. Their stories are yet another reminder of the human cost of conflict, and of policies that exclude and further traumatise those who are fleeing from it.
An addict shows me his rack of ribs, he's off to the slaughter house. An addict rubs his face like a brushed potato. The addict searches through bins looking for scraps of himself and his whims. An addict lives in a room at the weaver's loom, peddling his stories and drugs.
The response from police and others in authority to recent cases involving the abuse or exploitation of adolescent female sexuality is depressingly reminiscent of attitudes held more than 50 years ago. While it was no defence to argue that the girl had consented, if it could be proven she had had consensual intercourse with other men previously, the offender could be acquitted. Consequently, in carnal knowledge trials, girls were frequently accused of having rich histories of sexual activity.
I had been in WA for exactly a year when the local newspaper reported that a white guy had led about 200 people off Wave Rock station. Coming out of the comfortable myth that my home country of New Zealand was not racist, I was amazed to learn that Australia's Indigenous people were obliged to work without industrial protections. In 1966 it was the British Vesteys Group that had been exploiting Aboriginal people: today it is the State in the guise of 'community development', aka work for the dole.
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