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Possibly the thing I have missed the most is Melbourne's live music scene. The removal of being able to go to a venue and admire the sheer volume of talent this city produces — not to mention the talent we also get in from other states and territories — has hit me hard.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
The question remains, however, is there a straight binary trade-off between granting the state power (to organise lock-downs, track its populace and coerce the people) and keeping its people safe?
World Mother Earth Day, held on 22nd April, expanded the earlier focus on the natural environment as distinct from human beings by seeing them as dependent on and nurtured by it. It teased out the relationships that placed human beings within the natural world.
While there have been endless social media posts, political campaigns and the like about staying safe by staying at home, I have been concerned about the many people who are not safe at home and what this may mean to them. What will this mean for the woman who’s been living with a domestic violence perpetrator for years?
Overnight, my workplace has doubled in size. This once quiet space, filled with just the click-clacking of a keyboard and the occasional waft of classical music, now rumbles with the sound of my husband’s voice. He goes from one call to the next, discussing spreadsheets and renewals, holding conference calls and informal chats and performance reviews.
Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
One of the most popular, and largely counterproductive, metaphors in public conversation is the military one. It suggests that the project commended is a war in which there is an enemy, a campaign to be begun, forces to be mobilised, a public whose support is to be won, and weapons to be used. They commit us to do whatever it takes to win the war.
The Palestinians, and Arabs more generally, have gotten used to this sham of semantics and pretences of peace, watching on as America continues to fund and support Israel’s occupation of Palestine and its projection of military power in the region with impunity.
The modern 'old maid' is no longer confined to the attic. She's in the workforce, the senate, leading in the community. Yet while gender norms are being deconstructed and cultural ideas of femininity are evolving, the idea women exist only to procreate still persists. Women are not only supposed to have children, they're supposed to want to.
At what point is the media going to realise that the Invasion Day rally, which has been going on in some form or other since 1938, is not going away and, indeed, is growing? I'm convinced the media don't want to report Invasion Day, as reminding the public to fear Indigenous people and our rights has been their practice for centuries now.
Our team of editors have dug through the past ten years' worth of Eureka Street articles to nominate their favourite pieces published between the start of 2010 and today. Check out our list and then jump into the comments to tell us what are your picks of the decade and why.
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