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A common argument is that publicly-funded artists take unnecessarily from the ‘average Australian’. In the current international crisis, this argument fails to recognise that artists and arts workers are just as deeply impacted financially by COVID-19 as the ‘average Australian’ in other industries.
The response to COVID has invited reflection about the relative value of one human death (and so of one human life) as compared with another. This is a radical question because it makes us ask whether the value of a human life is defined by economic wellbeing and by potential contribution to the economy, or by deeper qualities.
While the legislation was proposed as something of a measure of last resort, the numbers already tell a different story. Unfortunately, many of us with a disability look at these figures (and at the proposed legalisation of euthanasia in New Zealand, which will be voted on later this year) with a weary mix of familiarity and horror.
A recent report from Jesuit Social Services’ Support after Suicide program reflects on the experience of people who have accompanied a friend or family member before, through and after their suicide. At the heart of the report is its insistence on the importance of the human face in health care.
If you are feeling disengaged and cynical about our political system, it turns out that you are in the majority. And that is concerning.
Craftsmanship is a way of seeing and understanding mediated through touch and feel and the body. While the finished product or the stated goal are important, the process — as an act of learning, making mistakes, experiencing both frustration and satisfaction — is equally (if not more) important.
Government attitudes towards universities, the humanities and the arts, are often a strange mixture of ignorance, blindness and misplaced priorities. It is almost as if their graduates fail to match the image of what the government would prefer Australians to be.
The larger questions posed by the destruction of the statues, and indeed of reputations, that they symbolise, concern how to handle complexity.
Public mask wearing — including ‘a piece of cloth, a scarf, bandana, t-shirt, or paper towel’ — was hot on the global public health agenda. One major demographic, however, had trouble fashioning this expert advice: men.
Letter from Eureka Street.
In Friends and Rivals Brenda Niall brings together four significant Australian women writers. Between them they published works from the 1890s to the 1950s. Ethel Turner and Barbara Baynton were from NSW. Nettie Palmer and Henry Handel Richardson were from Victoria, both schooled at Presbyterian Ladies College.
After building a reputation for foreign intervention and collateral damage — the most recent example being Libya — the North Atlantic Treaty Organisation (NATO) is asserting its influence during the COVID-19 pandemic, this time by exploiting the humanitarian paradigm.
181-192 out of 200 results.