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  • EUREKA STREET TV

    Living and flourishing with quadriplegia

    • Peter Kirkwood
    • 10 June 2015
    4 Comments

    In October 2010, shortly before his 40th birthday, Pentecostal pastor and theologian Shane Clifton rode a bike at high speed off a ramp and into a pit of foam rubber. When he landed, he fractured his spine, severed his spinal cord, and became a quadriplegic. He was forced to ponder deeply his beliefs and doubts, strengths and weaknesses, and the possibility of flourishing in the midst of human suffering.

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  • ARTS AND CULTURE

    Child assassin's slow escape from cult corruption

    • Tim Kroenert
    • 04 June 2015

    The children, their mothers and overseer inhabit a world all their own, morally as well as geographically. They know little but the rustic textures of life inside the compound; where every Friday they paint their faces like jungle animals and sing karaoke as a reward for a good week's killing. Even during their bloody errands, the urban landscape evokes a Martian dereliction. Only Alexander has started to smell danger.

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  • ARTS AND CULTURE

    Seeking restitution for Nazi art theft

    • Tim Kroenert
    • 28 May 2015
    4 Comments

    Maria's aunt was the subject of one of Austria's most famous artworks, Portrait of Adele Bloch-Bauer I, by the painter Gustav Klimt, which was stolen from Maria's family by the Nazis during the Second World War. Maria's story raises questions about the means and consequences of individuals and nations coming to terms with difficult histories, and of what constitutes 'ownership' of cultural artefacts with a high level of national significance.

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  • ARTS AND CULTURE

    Rollicking ruminations on rage and revenge

    • Tim Kroenert
    • 21 May 2015
    1 Comment

    A man sets in motion an elaborate scheme to get back at everyone who has ever done him wrong. This maniacal anthology of short cinematic stories earned an Oscar nomination this year along with a bundle of other accolades in its native Argentina and beyond. The darkly comic 'Little Bomb' shows a man's life and mind unravel as he rages against the perceived injustice of a parking infringement penalty.

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  • ARTS AND CULTURE

    Stage legend's age rage

    • Tim Kroenert
    • 14 May 2015

    Famous actor Maria Enders finds herself cast in a new production of the play that kick-started her career. The play explores the tempestuous relationship between a businesswoman, Helena, and her much younger assistant, Sigrid. Back then, Maria played Sigrid. Now, she is to portray the older woman. Through her engagement with the material she probes her own ambivalence and insecurities about getting older.

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  • EUREKA STREET TV

    Growing up as a Catholic activist

    • Peter Kirkwood
    • 13 May 2015
    3 Comments

    Most recent controversies over places of worship in Australia have involved Muslim prayer halls, cultural centres and mosques. But at Crossley, a small coastal community between Port Fairy and Warrnambool, there was another dispute over a place of worship, but a Catholic one. One of the social activists spearheading the campaign was author Regina Lane.

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  • ARTS AND CULTURE

    Women exploited on the road to human extinction

    • Tim Kroenert
    • 07 May 2015
    1 Comment

    Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.

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  • ARTS AND CULTURE

    Kids fight exploitation in one of the world's most dangerous cities

    • Tim Kroenert
    • 30 April 2015

    The boys possess the steel and resourcefulness that must come from living on the streets of one of the world's most dangerous cities, along with the fragility and artlessness that are hallmarks of youth. It is heartbreaking to witness the ease with which they are exploited or degraded, and inspiring to see the fervour and ingenuity with which they are able to fight back.

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  • ARTS AND CULTURE

    Millionaire boss' cheap glance

    • Darby Hudson
    • 28 April 2015
    10 Comments

    The CEO of my company is on $10.7 million a year. He did a floor walk today. He glanced at me for less than half a second. I worked out that he's on $41,152 a day. Then worked out his glance at me was worth about $7.80. I feel ripped off. That was a crap glance.

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  • ECONOMICS

    Ukraine conflict heightens global economic split

    • David James
    • 28 April 2015
    2 Comments

    The conflict in the Ukraine has attracted a great deal of attention for its geo-strategic implications. Less noticed have been the economic implications. The sanctions placed on Russia have forced Russia to become even closer to China, and the alliance between a military superpower and an economic superpower is beginning to split the global economy in two. It may come to represent the biggest geo-economic and geo-political shift of the first half of this century, defining much of the future landscape.

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  • ARTS AND CULTURE

    Vera Brittain's elegant anti-war ode

    • Tim Kroenert
    • 23 April 2015
    5 Comments

    Vera, a latecomer to the gathering, interjects. She has worked as a nurse, has had her hands warmed by the blood of the maimed and the soon-to-be-dead of both sides of the conflict. She has lost loved ones, too — a brother, a friend, a fiancé — and the grief of their loss will be with her always. But how can violent conflict ever be truly redeemed through the trauma of more violent conflict? The German soldiers who died in the war left behind loved ones, too.

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  • ARTS AND CULTURE

    Abuse victim's post traumatic horror

    • Tim Kroenert
    • 16 April 2015

    The manner in which Hugh drugs and binds Jay has strong overtones of 'date rape'. More than this, though, there is inherent violence in his having had sex with her at all, knowing that her consent hinged on her ignorance of the real consequences. Now, to be fair, there are men in the film who suffer, too. But the objectification of women by the male gaze and the predatory dynamic this entails is too pervasive to ignore.

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