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My only contact with Catholics prior to 1963 was avoiding the local Catholic school when walking home, for fear of having stones thrown at me, in my state primary school uniform — sadly, some state schoolers did likewise to Catholic students. I remember it as a parable of pre-Vatican II Catholic-Protestant relationships in Australia.
The fresh wind of Vatican II has been reined in, with the focus turned to shoring up 'the firm wall of religion' against threatening forces from a world that had grown tired of the Church. As Christianity faces minority status in Europe, the Pope offers an intellectualised version of the ghetto mentality that Vatican II sought to break down.
The book is essentially misogynistic. Women are objects of hedonistic possibilities in the same way that drugs are. Even the Kerouac figure Sal's self-deprecating account of failing to impress a virginal lover manages to marginalise the woman in question. The film seeks to rectify this by giving flesh to its female characters.
My dad had just picked me up from the law library when we heard the screams. A chunky boy raced past, shirt tail flying, crying. Then I heard shouting, yelping and laughing, and three young men flew past in pursuit. This was to be my first experience of gay-bashing, and of the unofficial law-enforcement view of it.
Hughes was part of that movement of Australian artists and intellectuals — Germaine Greer and Clive James among them — who fled to Europe in the 1960s. Yet he was unable to escape the antipodean orbit he found arid and constricting. Australian reference points followed his pen with nagging persistence, a permanent shadowing.
The anti-American rhetoric is direct and effective, the phrase AMERICAN WAR OF AGGRESSION a recurring, pulsating slur. Yet who would deny it, faced with this photographic account of Vietnamese suffering? There are at least two versions of any war, and this is theirs. But there are others.
New South Wales ALP General Secretary Sam Dastyari called the Greens 'extremists not unlike One Nation'. Paul Howes, the Australian Workers' Union National Secretary, denounced them as a 'fringe' party with 'extremist agendas'. But who better represents mainstream Australian values — the Greens or the ALP?
The classroom — one teacher, one group of students, usually of the same age, one rectangular space, door closed — is the great survivor of schooling. It has been depicted as a contest between 'teacher-centred' and 'student-centred' pedagogies. But in the age of technology there is a new contender for dominance in the classroom.
Labor speechwriter Graham Freudenberg observed that ‘the oldest, deepest, most poisonous debate in Australia has been about government aid to church schools’. The most dramatic episode in the history of church state relations in Australia was the Goulburn schools strike, which took place 50 years ago this month.
The Productivity Commission Schools Workforce report released on Friday does contain evidence of the dire state of productivity in Australian schools, but it is largely neutered. It's as if the Commission was anxious to avoid stating too plainly a disease for which it can suggest only palliatives.
Should I even be saying all this to people I have never met? What do I say? How far do I go? My paternal grandfather, Edgar, was not only an Anzac but among those who landed nearly 100 years ago at the Turkish cove. Even among my family his experiences are still largely passed over in silence.
The report's argument that a base level of funding be established might lead to a lowest common denominator approach to determining what is an 'efficient' education, in both the state and private systems. Creativity, diversity and experimentation may be hindered in such a regime.
121-132 out of 200 results.