Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Timothy Conigrave's memoir Holding the Man is a classic of contemporary Australian queer literature. Originally published in 1995 a few months after Conigrave's death from AIDS, it is an account of his relationship with John Caleo, whom he met in 1976 when they were both students at the Melbourne Jesuit private boys school Xavier College. Conigrave and Caleo were together for 15 years until Caleo's death (also from AIDS) in 1992. This film adaptation of their story is nothing if not bold.
'Coming up to Canberra was the worst. We came through some pretty atrocious thunderstorm weather ... It really is a delightful aircraft to fly even in those conditions.' Voice of Stuart Graham Pearce, killed as a test pilot in 1976, as heard by his son Guy 36 years later.
Nicky is curled up asleep on the couch. She is an innocent, and we feel affection for her. But as the camera pans around, we realise we have been sharing Andrew's leering perspective. The scene foreshadows Animal Kingdom's most appalling atrocity.
Staff Sergeant William James is responsible for disarming bombs laid by insurgents in the sandy streets of Baghdad. For him, the stress of the job is a veritable amphetamine, and he's well and truly hooked.
The blurring of right and wrong in a world where civil structures have disintegrated, is seen in the Man's escalating wildness; his desperation to preserve the life of his son, and his conviction that the end of survival justifies a growing list of dubious means.
The first feature film about Australia's most notorious convict shares a potent symbiosis with Dante's Inferno. Director Jonathan auf der Heide believes there is a repressed need for violence beneath the 'veil' of human civilisation.
Tough times call for tough measures — the McGarvie women comprise a single-parent family in a male-dominated society, so you can hardly blame them for making a living the best way they can. Houdini is all charm and showmanship, with hidden depths and dark secrets.
The Garnaut Report underplays Australia's position as a wealthy country that can act now to safeguard its future. This month's bipartisan apology to the Stolen Generations has laid the ground for a multi-party agreement on the climate crisis.
Australian governments have been caught up in a religious type rapture over biotech industry promises. They are seemingly unaware of their economic strategies, which provide for big long-term profits through monopoly control of the food industry.
Peter Craven on recent star-studded Australian works.