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The showdown between Bill Jean King and self-styled 'chauvinist pig' Bobby Riggs came at a time when King and other women tennis pros were protesting against unequal pay, and while King herself was coming to terms with her identity as a gay woman. A film about the match and its context should have plenty to say to present day socio-politics of sexuality and gender. But this one suffers from an identity crisis.
Perhaps it is the high egocentricity of Woody Allen's films that makes it difficult to separate the man from his work. More so even than Roman Polanski, the allegations of sexual abuse that have been levelled at Allen in life lend an unsavoury flavour to his art. Even revisiting Annie Hall these days, Allen's classic and endlessly innovative 1977 romantic comedy is tainted retrospectively by a sneaking sense of sexism, if not outright misogyny. The same is true of Café Society.
The theme song from Selma references Rosa Parks and Ferguson in the same breath. Indeed this is a powerful period drama that resonates loudly in a modern age where the injustice against which Martin Luther King raged continues to haunt Black America. Oyelowo's King is charismatic and proud, but plagued by doubts and capable of great sadness when even one of his followers falls in the midst of the struggle.