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'First warning: if you're going to be serious about a Human Rights Act, make sure that your government departments are sufficiently resourced and encouraged to produce meaningful statements of compatibility. Second warning, especially in a unicameral legislature: make sure that your parliamentary committee on human rights has sufficient muscle and status to arrest the progress of any bill until it has been thoroughly scrutinised for human rights compliance.' Frank Brennan's remarks at the Fringe Conference of the 2016 Queensland ALP Convention.
With idealism and pragmatism, I invite you criminal lawyers in the next 30 years to imagine and enact a better criminal justice system which alleviates rather than exacerbates the devastating effects of colonisation and marginalisation on Indigenous Peoples, and most particularly their children. An intelligently designed criminal justice system must help secure the foothold of Indigenous children in both the Market and the Dreaming.
Labelling it a 'domestic violence epidemic', Mundine questioned whether Indigenous parliamentary ministers were adequately advocating for Indigenous peoples. His remarks were ironic given that, as Linda Burney points out, 'these things have happened on his watch'. Without government funding to support grassroots, community based early intervention programs, family violence will continue. In particular, how those programs are actually being funded should be reviewed.
Who owns a cultural object? Who has the right to determine cultural values? And how can public institutions exercise cultural responsibility? It's a timely set of questions as we consider the implications of the National Gallery of Australia's return of ancient Indian sculptures, the British Museum's refusal to return Indigenous objects, or Lionel Shriver's rejection of minority cultural identities. Each of these unleashes complex, painful consequences that can undermine cultural value or cultural safety.
Almost all territories have their own popular artists, writing and performing in their native languages. However, many of these musicians seem unable to break into the wider market. In terms of marketed music, there is no doubt that English speaking artists hold sway. Yet some artists, such as Sydney Aboriginal band Dispossessed, who perform in both English and in language, and Cardiff native Gwenno, whose debut solo album is sung entirely in Welsh and Cornish, are bucking the trend.
When I started my blog Rantings of an Aboriginal Feminist four years ago, the major motivation was that I wanted to claim some space in the worldwide web for Aboriginal feminist left-wing discourse. I strongly felt that the mainstream media continued to ignore these types of opinions and, thanks to the internet providing public and freely available space, for the first time ever there was the ability to circumnavigate these traditional channels of communication. I believed no one would read it.
Wiradjuri/Kamilaroi artist Jonathan Jones' piece is profoundly moving. At first glance it is little more than a quirky reconfiguring of the architectural footprint of the Garden Palace that burned to the ground on 22 September 1882, taking with it a collection of precious Indigenous relics. A more informed engagement however reveals that Jones has created a provocative re-imagining and, through this, a re-membering of Australian colonial contact history which has deep resonances for today.
On 8 September the ABC's 7:30 revealed yet another heartbreaking story of just another person who has contracted an asbestos-related disease. Ffloyd Laurie is a Bunjalung man from the Aboriginal community of Baryulgil, NSW - my home town. Like the rest of the Baryulgil community, including my mother, uncles, nan and pop, Ffloyde worked and lived with no idea of the consequences and health risks caused by that asbestos. Those consequences have proven to be fatal already for my pop.
I had been in WA for exactly a year when the local newspaper reported that a white guy had led about 200 people off Wave Rock station. Coming out of the comfortable myth that my home country of New Zealand was not racist, I was amazed to learn that Australia's Indigenous people were obliged to work without industrial protections. In 1966 it was the British Vesteys Group that had been exploiting Aboriginal people: today it is the State in the guise of 'community development', aka work for the dole.
This week's offering from Eureka Street's award winning political cartoonist.
Inspired by the person Ignatius, inspired by the person Jesus, we are motivated to make a difference; we are passionate to seek justice for all, especially the poor and the marginalised; we are convinced that we can find God in all things, even in the Don Dale Detention Centre; we know that all persons are called to a deep interior freedom, even those prison guards with hardened hearts; we are convinced that the law of the Lord teaches us right from wrong and that the ways of the Lord inspire us to do and proclaim what is right and to denounce what is wrong, especially when the wrong is done by the powerful upon the powerless.
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