Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
Assange's latest court appearance coincided with the launch of the Right to Know campaign, backed by the major press organisations in Australia as well as the Media, Entertainment and Arts Alliance. To its immense credit, the MEAA has consistently defended him. But many prominent Australian journalists have not.
The question that goes begging in the discourse around data is beyond any 'right' for us to control collection, storage, or deployment. Each of us produces so much data, in so many diverse forms, it is almost impossible to imagine all the places where our data might reside. How can we control something we don't know to exist?
The world is often characterised as porous and easy to manoeuvre in this age of unparalleled technology and a globalised economy. But it's only ever been this way to people who have a combination of a particular passport and cultural heritage, particularly in settler colonial nations such as Australia.
I was told in grade nine I shouldn't bother trying out for the lead of our school play, The Wizard of Oz, because there's no way Dorothy would be Asian. Though I had no intention of trying out for the play, the fact that she told me not to bother made me arc up. The reason she gave - my incongruous Asianness - made me feel angry and ashamed. Angry because it was stupid and unfair. Ashamed because it felt somehow like it was my fault for not being white enough.
To be in the running for a scholarship, a student must have had their abilities or potential acknowledged and rewarded within an ideological education system. Where the money comes from - and whom it is given to - informs what kinds of artwork thrives. As Didier Eribon says, 'art, culture and education are part of the mechanisms of differentiation between social classes'. And the institutional frameworks underpinning the production of artwork can lead to pernicious political outcomes.
Social theorist Pierre Bourdieu posited the disturbing finding that academic underperformance in lower-class students could be traced back to their lack of cultural capital, defined as 'familiarity with the dominant culture in a society, and especially the ability to understand and use 'educated' language''. According to Bourdieu, the mainstream education system assumes a certain level of cultural capital and as a result, educators speak in a manner that is only understood by a privileged few.
Last week's image of Aylan Kurdi was emblematic of a range of current social crises: religious and ethnic conflict, discrimination and inequality, terrorism, the plight of migrants and refugees. Western Sydney University Humanities lecturer James Arvanitakis sees education as the key to grappling with them beyond the knee-jerk response to the disturbing images.
Many deaths of course are not small deaths. They evoke distinction, achievement, leadership, innovation, creativity or, in some cases notoriety, quixoticism or eccentricity. Yet placing some names above many, some in a class of their own, others in a ruck of the scarcely memorable, one indispensable criterion unites all the characters and places them beyond our imaginative, intellectual or descriptive reach: they are dead.
Old, heavy as a mountain, though still going. But too bulky, and it didn't fit the space left by the new skirting. With betrayal in my heart we trolleyed It to the car.
Quite rightly the Section 18C repeal bill was seen to remove all limits on ‘freedom of speech’ without regard to the vulnerability of those targeted. Andrew Bolt was infuriated, Senator Brandis lost face and his new Human Rights Commissioner Tim Wilson was ‘disturbed’ by the bill being shelved. But the PM is a pragmatist.
Women's lit needs a course of its own'. How original to segment women's work into a category of its own so that it has no bearing on the mainstream! Men's work is universal, and women's work is specific to women. Sixty-five years later, and Simone de Beauvoir still nails it. So should we feminise the mainstream? Or continue to participate at the margins, and hope that the old guard takes notice?
'Journalists have long had a reputation for unwinding at the pub after a tough story ... What happens when you combine alcohol consumption, stress, real time and a live publishing platform that's unmediated?' Journalist, academic and 'furious citizen' Julie Posetti discusses the pros and cons of the Twitterisation of journalism.
13-24 out of 42 results.